Tag Archives: Paranumismatics

John Patston at the Iron Gate, Tower of London

A farthing tradesman's token issued by John Patston at the Iron Gate adjacent to the Tower of London

A farthing tradesman’s token issued by John Patston at the Iron Gate adjacent to the Tower of London

The above copper farthing token measures 16.9 mm and weighs 1.10 grams. It was issued in the mid-17th century by John Patston a tradesman living adjacent to the Tower of London in the liberty of St. Katherine by the Tower, Middlesex.

The design of the token may be formally described as follows;

Obverse: (mullet) IOHN. PATSTON. , around twisted wire inner circle. Two monograms possibly arranged to form a merchant’s mark. Upper most a conjoined “T” and “S”. Below “I” followed by conjoined “H”, “O”, “N” and finally a “P” in the style of a merchant’s mark.

Reverse: (mullet) AT. THE. IRON. GATE , around twisted wire inner circle. Within a triad of initials comprising I | .P. | .A , with three dots below.

The token is undated but on both stylistic and probability grounds most likely dates to the period 1649 to the early 1660s.

The triads of initials on the reverse of the token are those of its issuer, John Patston, and his wife, Mrs. A. Patston. A further abbreviation of the token issuer name (i.e. John P.) appears in the second of the merchant mark like arrangement of monograms on the tokens obverse. The significance of the first monogram (i.e. Ts) is unknown and remains a tantalising mystery. Could it be the abbreviation of a business partner’s name or something totally different?

John Patston’s business address is clearly stated on his token as being at the Iron Gate. This location was within the precincts of the Tower of London at the south-east corner of the Tower Ditch (i.e. the moat) immediately adjacent to a set of water stairs that took their name from the gate. On the west side of the Iron Gate was Tower Wharf and on the east side St. Katherine Street which led into the Liberty of St Katherine by the Tower. This extra-parochial district of east London comprised approximately 1,000 houses many of which were in a poor state of repair and were crammed along narrow lanes. The district was inhabited by many seamen and rivermen plus vagabonds and prostitutes. Foreign craftsmen and immigrants were also attracted to the area as the Liberty did not come under the jurisdiction of the City’s guilds. Despite the areas high population density in the Great Plague the Liberty’s mortality rate was only half of the rate in areas to the north and east of the City of London.

The Tower of London and part of the Liberty of St. Katherine by the Tower showing the location of the range of buildings adjacent to the “Iron Gate” from where John Patston traded (map c.1720).

The Tower of London and part of the Liberty of St. Katherine by the Tower showing the location of the range of buildings adjacent to the “Iron Gate” from where John Patston traded (map c.1720).

In the maps published to illustrate Strype’s Survey of London and Westminster of 1720 (1) only one range of buildings are shown adjacent to the Iron Gate. This survey describes the approach to the gate from the west as follows;

Next, on the same South side, toward the East, is a large Water Gate, for Receipt of Boats and small Vessels, partly under a Stone Bridge from the River Thames. Beyond it is a small Postern, with a Draw-Bridge seldom let down, but for the Receipt of some great Persons, Prisoners. Then towards the East is a great and strong Gate, commonly called the Iron Gate, but not usually opened.

The plan illustrating Haiward’s and Gascoyne’s survey of the Tower of London pre-dates that in Strype’s Survey by 123 years. It shows two significantly longer and parallel ranges of buildings on the south side of the Tower Ditch leading up to the Iron Gate. It was one of these tenements that was later occupied by John Patston and his family in the mid-17th cen

The Liberty of the Tower of London from Haiward’s and Gascoyne’s survey of the Tower (1597)

The Liberty of the Tower of London from Haiward’s and Gascoyne’s survey of the Tower (1597)

Interestingly this particular token is reported to have been found by a “mudlark” in recent times on a stretch of the River Thames foreshore immediately south of the Tower of London. As such it was literally only a stone’s throw from its original issuer’s premises at the Iron Gate where it had originated some 360 years earlier.

(Left) Volunteers from the Thames Discovery Project surveying the foreshore in front of the Iron Gate & Tower Wharf where the John Patson farthing token is believed to have been found in the 1990s (Right) Arial view of the Tower of London clearly showing the once location of the Iron Gate and the Tower beach foreshore

(Left) Volunteers from the Thames Discovery Project surveying the foreshore in front of the Iron Gate & Tower Wharf where the John Patson farthing token is believed to have been found in the 1990s (Right) Arial view of the Tower of London clearly showing the once location of the Iron Gate and the Tower beach foreshore

In Search of John Patston and his Family

Other than working at premises at or by the Iron Gates near the Tower of London John Patston’s token gives no clue as to what his trade might have been. However, sufficient references remain in the historical record to allow us to address this question and many others relating to the life of this particular token issuer and his family.

The following partial life history of John Patston has been generated from parish registers, Livery Company records, hearth tax returns and probate records. While there is always the chance of confusing the historical records relating to different individuals, who share the same name, the use of specific time line, family relationship and geographical identifiers can often be used to help eliminate or minimise this risk. Where available such criteria have been applied in this case.

John Patston was born c.1636 in Northamptonshire (Note 1). On 10th May 1648 his father John, a vintner in Northampton, bound him as an apprentice grocer to John Barnaby of London (2). It appears that that young John Patston was the last of four separate apprentices that John Barnaby took on over his career. The young John would almost certainly have been bound into a standard seven year apprenticeship after which he would have received his freedom and become eligible to set up business himself as a member of the Worshipful Company of Grocers.

Unfortunately John Barnaby died in late 1650 (3) and it can only be assumed that John Patston was re-bound to another master grocer in order to complete his apprenticeship. Irrespective of this initial upset in his early career by 1659 John had become a citizen grocer of London. This is apparent from the apprenticeship records of the Worshipful Company of Grocers which recorded on 1st September of that year John took on his own fist apprentice. This was Collyer Hutchinson the son of Francis Hutchinson a yeoman of the Liberty of St. Katherine by the Tower, Middlesex (4). Collyer was the first of four apprentices that John took on over the duration of his career.

Collyer Hutchinson’s family lived in the Liberty adjacent to the business address as stated on John Patston’s farthing token (i.e. the Iron Gate). Whether this is an indication that by this date John had already taken up residence in premises at the Iron Gate isn’t certain. However, by 10th January 1659/60 an entry in the registers for St. Katherine by the Tower clearly places him locally and therefore it might be deduced that he was already established at the Iron Gate. This particular register entry is further illuminating in that it not only records the christening of John’s son, also named John, but additionally the name of his then wife, Anna. This is almost certainly the same “Mrs. A. Patston” whose initials are recorded in the triad on the reverse of John’s farthing token (Note 2).

The Royal Hospital and Collegiate Church of St. Katharine by the Tower. Demolished in 1825 to make way for St. Katherine' Docks

The Royal Hospital and Collegiate Church of St. Katharine by the Tower. Demolished in 1825 to make way for St. Katherine’ Docks

On 14th December 1664 John Patston took on a second apprentice namely John Sperry, the son of a yeoman (of the same name) from Riseley in Bedfordshire (5).

The Hearth Tax returns for 1666 records that John Patston was occupying premises with 6 hearths on the south side of Tower Ditch (6), i.e. that area adjacent to the Iron Gate. At this time this constituted the second largest number of hearths recorded from any of the premises bordering the south side of the Tower.

On 4th May 1666 John took on new apprentice. This was Humphrey Hutchins, the son of a Thames waterman (of the same name) from the Liberty of St. Katherine by the Tower, Middlesex (7). A further review of the Hearth Tax returns for 1666 indicates that Hutchins family lived in a dwelling having only 2 hearths in Lees Court close to St. Katherine’s Church (8). Presumably John Patston knew the father of his new apprentice well. The two would have likely worshipped at the same parish church. Also as a waterman, presumably plying his trade from the local Iron Gate and St. Katherine’s Water Stairs, it can be imagined that Humphrey would have ferried John Patston up and down the River Thames on many occasions.

How the Patston family’s fortunes fared during the Great Plague of 1665 is unknown but given that John appears to have re-married sometime prior to 1672 one assumption is that Anna may have been a victim of the deadly outbreak that cut short the lives of an estimated 100,000 Londoners in less than a 12 month period. No record of Anna’s burial has so far come to light.

John’s second wife was named Elizabeth. A record of their marriage has so far not been identified although on 20th October 1672 the couple christened their daughter, also named Elizabeth, at the nearby parish church of St. Dunstan in the East. This was followed two years later, on 5th October 1674, by the christening of their son, named John, at the same parish church (Note 3). Evidence exists that John Patston had an earlier daughter, named Sarah, in 1668 (Note 4). There is no conclusive evidence as to who her mother was but it was very possibly Elizabeth.

It is interesting to note that in the mid-1670s the Patston family appeared to favour the parish church of St. Dunstan in the East over their previous association with the collegiate church of St. Katherine by the Tower. While both churches were local to the Tower of London St. Dunstan’s was slightly further away from the Iron Gate. It may be that this was Elizabeth Patston’s original home parish or that the Patston family were no longer trading from their former premises having possibly moved further west into the city. From evidence in John Patston’s later history it is clear that by the end of his life he had re-established an association with the church of St. Katherine by the Tower.

In 1680 John Patston was in his mid-40s and was still actively trading as a grocer. On 2nd April of this year he took on what was to be his fourth apprentice. This was Joseph Faircliff the son of Humphery Faircliff an embroiderer from the neighbouring parish of All Hallows-by-the-Tower, London (9).

On entering his apprenticeship the young Joseph Faircliff would have been expecting to serve his new master for at least the next seven years of his life. However, this was not to be. Less than a year later John Patston’s health appears to have taken a turn for the worse. John must have been aware that whatever was afflicting him was gravely serious as on 22nd February 1680/1 he prepared his Will in which he described himself as “weak in body but sound and perfect in mind” (10). Within ten days of making his Will John was dead. The register of St. Katherine by the Tower records his death on 12th March 1680/1 and his burial in the adjoining churchyard on 15th March.

Places mentioned in the history of John Patston in and around the Liberty of the Tower of London (from Strype's Survey of 1720)

Places mentioned in the history of John Patston in and around the Liberty of the Tower of London (from Strype’s Survey of 1720)

John Patston’s Will, which was proven on 14th March 1680/1 (11), is enlightening in that it reveals several more facts relating to his family history.

It is clear from his Will that at some time after 1674 (i.e. the last known reference to his wife Elizabeth) John had re-married for a third time. As yet no record has been identified of either John’s marriage to his last wife Blanch or to the death of his second wife, Elizabeth.

At the time of John Patston’s death he had three surviving children, a son John and two daughters Sarah and Elizabeth. All three were under the age of 21 and un-married. The mention of only one son suggests that his first recorded child (.i.e. John, born to him and Anna in January 1659/60) was already dead.

By the provisions of John’s Will his wife Blanch was bequeathed £200. His three surviving children, Sarah, Elizabeth and John, who are seemingly listed within the Will in order of their respective ages, were each bequeathed £100 which was payable to each of them on reaching the age of 21 or, in the case of the two girls, on the occasion of their marriages. To his surviving apprentice Joseph Faircliff, who is described as a mealman (i.e. a trader in grain and cereal) John left the sum of £5. After the payment of all outstanding debts John left the balance of all his goods and estate to the executor of his Will, namely Humphrey Hutchins, waterman of the Liberty of St. Katherine by the Tower (12). Rather than just being the father of John’s third apprentice it appears that Humphrey Hutchins was also one of his most trusted friends.

Notes:

1) John Patston’s estimated year of birth (i.e. 1636) has been back calculated from the date when his father bound him as an apprentice grocer to John Barnaby in 1648. In the mid-17th century the typical age for boys to be bound into apprenticeships was 12 although there are examples of some boys being older (i.e. in the range 14 to 18) which could push John Patston’s birth year back to as early as 1630.

2) An entry for 8th March 1655 in the parish registers for St. Mary Whitechapel in east London contain reference to the marriage of a John Patston, of the parish of St. Albans Wood Street (aged 25) and Anne Rappitt of St. Mary Whitechapel (aged 19) who was the daughter of William Rappitt, a baker of the same parish. While the names and ages of this couple fit well with the triad of initials of our token’s issuers’ the occupation stated in the marriage registry for John (a gold wire drawer) does not fit with his previous and later known occupation as a grocer. As such this record has been discounted a being a reference to a different Mr. J. and Mrs. A. Patston to that of our token issuers.

3) In addition to the contemporary documentary references to John and Elizabeth Patston evidence of their marriage is further substantiated from the numismatic record.

A half penny tradesman's token issued by John and Elizabeth Patston at the Iron Gate adjacent to the Tower of London. This example was found by a "mudlark" on the foreshore of the River Thames.

A half penny tradesman’s token issued by John and Elizabeth Patston at the Iron Gate adjacent to the Tower of London. This example was found by a “mudlark” on the foreshore of the River Thames.

Examples of a second trade token type exist which bear an almost identical set of monograms to those on the reverse of John Patston’s farthing token. This second token is struck on an octagonal brass flan and is of a half penny denomination. The obverse of the token depicts a representation of the coat of arms of the Worshipful Company of Grocers around which is the triad of initials of its issuers I. P. and E. Above a legend, in three lines, gives the token issuer’s address as “AT IRON GATE”. The reverse of the token bears the legend “HIS HALFE PENNY” in three lines. Below are two monograms possibly arranged to form a merchant’s mark either side of which is a rosette decoration. The upper most monogram comprises a conjoined “T” and “S”. The second below comprises an “I” followed by conjoined “H”, “O”, “N” (i.e. for JOHN) and finally a conjoined “P” and “E”. The added letter “E” in the monogram and the triad displayed on this token is an obvious reference to John Patston’s second wife Elizabeth.

While this second token type is undated its use of a distinctive octagonal flan is something that is only seen in the last four years of the generally accepted issuing period of 17th century British tradesmen’s tokens which ran from 1649 to 1672.

4) On 25th June 1691 a Sarah Patston, aged 2 (i.e. born c.1668) of the Liberty of St. Katherine by the Tower married Jabez Phillips aged 23 at the parish church of All-Hallows, London Wall. This is very probably the marriage of John Patston’s daughter Sarah as recorded in his Will. A review of baptism entries in the registers of the church of St. Katherine by the Tower for 1668 has failed to identify an entry for Sarah. However, it does contain the following puzzling entry which cannot be easily reconciled with the currently perceived family history of John Patston the token issuer.

  • John, some say a bastard, the son of Sarah Patston, daughter of John, was born the 13th of December, baptised the same day.

The above entry is reported here for completeness and as an example of how difficult such research can be, particularly where there is more than one person living in an area of study during the same period and who share a common name or set of initials.

 

References:

1) Strype, J. – A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. – Corrected, Improved, and very much Enlarged Edition. (London, 1720).

2) Webb, C. – London Livery Company Apprenticeship Registers, Grocers’ Company Apprenticeships 1629-1800. Volume 48. (Society of Genealogists. 2008).

3) PROB/11/213. National Archives (London).

4) Ibid [2].

5) Ibid [2].

6) Davies, M.; Ferguson, C.; Harding, V.; Parkinson, E. & Wareham, A. – London and Middlesex Hearth Tax. The British Record Society. Hearth Tax Series Volume IX, Part II. (London, 2014).

7) Ibid [2].

8) Ibid [6].

9) Ibid [2].

10) PROB/11/366. National Archives (London).

11) Ibid [10].

12)   Ibid [10].

Acknowledgements:

I would like to thank Nathalie Cohen of Museum of London Archaeology (MOLA) for her permission to reproduce her photograph of volunteers of the Thames Discovery Programme surveying the foreshore in front of the Tower of London (as viewed from the north end of Tower Bridge).

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Filed under Tokens from within the City Walls

Mr. Dry at the Three Sugar Loaves in Wapping

A farthing tradesman's token issued at the sign of the three sugar loaves in Wapping, Middlesex.

A farthing tradesman’s token issued at the sign of the three sugar loaves in Wapping, Middlesex.

The above copper farthing token measures 15.9 mm and weighs 0.99 grams. It was issued in 1650 by a tradesman in Wapping, a district of eastern London which runs along the north bank of the River Thames.

The design of the token may be formally described as follows;

Obverse: (mullet) AT. THE. 3. SVGER. LOAES, around twisted wire inner circle, depiction of three sugar loaves hanging from a common suspension hoop.

Reverse: (mullet) IN . WAPPIN . 1650 . , around twisted wire inner circle. Within, in two lines, the legend T (rosette) E / DRY

The two initials above the surname “Dry” on the reverse of the token are those of its issuer and his wife respectively, i.e. Mr. T. and Mrs. E. Dry.

During the mid-17th century the area to the east of the Tower of London was still relatively lightly populated and in parts semi-rural. It contained a scattering of villages, including Wapping and Shadwell, which collectively were to become the borough of Tower Hamlets.

Wapping developed along the north embankment of the Thames, hemmed in by the river to the south and the drained Wapping Marsh to the north. This gave it a peculiarly narrow and constricted shape, consisting of little more than the axis of Wapping High Street and some north-south side streets. John Stow, the 16th century historian, described it as a “continual street, or a filthy strait passage, with alleys of small tenements or cottages, built, inhabited by sailors’ victuallers” (1). A chapel to St. John the Baptist was built in Wapping in 1617 although the hamlet continued to remain part of the parish of St. Dunstan and All Angels, Stepney until it was constituted as a parish in its own right in 1694.

The Parish of St. John's Wapping with inset map indicating its relative location within Eastern London (c.1720).

The Parish of St. John’s Wapping with inset map indicating its relative location within Eastern London (c.1720).

Being located on the north bank of the River Thames, Wapping had long been associated with ship building, fitting and provisioning. It was inhabited by sailors, mast-makers, boat-builders, blockmakers, instrument-makers, victuallers and representatives of all the other associated maritime trades. Wapping was also the site of “Execution Dock”, where pirates and other water-borne criminals faced execution by hanging from a gibbet constructed close to the low water mark. Once dead their bodies would be left suspended until they had been submerged three times by the tide.

The "Prospect of Whitby" dates from 1520 and though Execution Dock is long gone, a gibbet is still maintained on the Thames foreshore next to this famous public house

The “Prospect of Whitby” dates from 1520 and though Execution Dock is long gone, a gibbet is still maintained on the Thames foreshore next to this famous public house

In Search of Mr. Dry

Other than working at (or by) the sign of the three sugar loaves in Wapping Mr. Dry’s farthing token gives no clue as to where precisely in the hamlet his business was located. However, the design selected for his trade sign does offer a potential clue as to his trade.

In a time before the formal address numbering of buildings the use of ornate and memorable trade signs, in association with specific street names, were the standard means of expressing a location’s address. Trade signs were typically suspended from support rods at an elevated position on the street facing outer wall of their owner’s business premises. After the great fire of 1666 many of the new brick built buildings and business premises in London incorporated trade signs in the form of carved stone reliefs which were built at height into the outer wall of the buildings’ fabric.

 A trade sign incorporating one or more sugar loaves is highly suggestive of its owner being a grocer (2). As one of the staple products sold by grocers in the 17th century, sugar, in the form of a distinctive wholesale loaf, would have been instantly recognisable and associated with their trade by the public. While this particular trade sign was very much favoured by grocers, examples of it are also known to have been used by certain other tradesmen. Amongst these are occasional examples belonging to taverns plus sundry use by confectioners plus at least one ironmonger and a chandler.

(Right) Reconstruction of a 17th century maid braking sugar from a sugarloaf (Left) A 17th century sugarloaf mold found in excavations in London plus a replicated sugarloaf

(Right) Reconstruction of a 17th century maid braking sugar from a sugarloaf (Left) A 17th century sugarloaf mold found in excavations in London plus a replicated sugarloaf

An examination of the names of 17th century apprentices and masters belonging to London’s Worshipful Company of Grocers (3) has failed to identify anyone with the surname “Dry”. However, this is by no means conclusive evidence that our token issuer didn’t practice in this trade.

A review of 17th century entries from the parish registers in the Tower Hamlets area has indicated several entries in the name of “Dry” or “Drye” that could be potentially related to the token issuer and his family. Principals amongst these are;

1) Elizabeth, daughter of Thomas Dry and his wife Elizabeth – Buried 4th October 1665 at St. John’s Church, Wapping.

 2) Thomas son of Thomas Dry of Wapping, Sawyer, and Anne – Christened 7th February 1665/6 at St. Dunstan and All Saints Church, Stepney.

3) Thomas Dry of Well Alley – Buried 12th February 1668/9 at St. John’s Church, Wapping. A sub-notes in the register’s margin indicate that at the time of his death Thomas was poor and bed-ridden.

East London (c.1720) from the Tower of London to Shadwell indicating the location of Well Alley (in red), Wapping

East London (c.1720) from the Tower of London to Shadwell indicating the location of Well Alley (in red), Wapping

It is by no means certain that all or any of the above records refer to the same Mr. T. Dry who issued the above farthing token in Wapping in 1650. However, on the grounds of meeting so many of the historical pre-requests as outlined on the token the first of the three listed must have a very high probability of referring to Mr. T. and Mrs. E. Dry the token issuers.

The second entry may relate to a later marriage of the token issuers, presumably after the death of the Mr. E. Dry referred to on the reverse of the earlier token of 1650.

An analysis of east London Hearth Tax returns from the 1660s has indicated one that could relate to the token issuer, assuming he was still alive and living in the area at that time. In 1666 a Thomas Drye paid tax on a property in Wapping Hamlet having 7 hearths (4). Such a number of hearths would indicate fairly substantial premises. A further, but by no means exhaustive, examination of contemporary 17th century documentation for the east London area has identified two further potential references to the above token issuer. The earliest of these is dated 14th July 1659 and comprises a list of those men appointed by the Commonwealth Parliament to act as commissioners for the militia within “the Hamblets for the Tower of London”. Amongst those listed is one Thomas Dry (5).

Re-enactors portraying the 17th century Tower Hamlets Militia or Trained Guard

Re-enactors portraying the 17th century Tower Hamlets Militia or Trained Guard

A further reference to a Thomas Dry can be found in the Middlesex Sessions Rolls for 1664. On 17th July 1664 a Thomas Dry, a grocer of Whitechapel (then an adjacent hamlet north of Wapping), came before the Justices of the Peace at Stepney.

Depiction of a mid-17th century Conventicle Preacher being brought before the Justices (by Robert Inerarity Herdman c.1873-76)

Depiction of a mid-17th century Conventicle Preacher being brought before the Justices (by Robert Inerarity Herdman c.1873-76)

Thomas was one of approximately a hundred others (most likely Puritans) who had assembled illegally at the home of William Beanes of Stepney for the purpose of exercising religion practices other than those allowed by the Church of England under the Conventicles Act of 1664. The entire group was found guilty and in the case of Thomas Dry the sentence handed down was 3 months imprisonment in Newgate gaol or payment of a fine of 40 shillings (6). It is not know which of these two options Thomas opted for but he must have known that even 3 months in Newgate could potentially result in a death sentence. It has been estimated that one in 10 of those imprisoned in the gaol during the second half of the 17th century died within its walls due to the foul and overcrowded conditions which were a breeding ground for germs and decease.

By linking together the above references in chronological order it is possible to construct various possible adult life histories for Thomas Dry. However, it is impossible to say with any certainty that all of the referenced quotes relate to a single individual and that he was the same Mr. T. Dry who issued trade tokens in Wapping in 1650.

References:

1) Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to the Mid Nineteenth Century. (London, 1972).

2) Strype, J. – A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. – Corrected, Improved, and very much Enlarged Edition. (London, 1720).

3) Webb, C. – London Livery Company Apprenticeship Registers, Grocers’ Company Apprenticeships 1629-1800. Volume 48. (Society of Genealogists. 2008).

4) Davies, M.; Ferguson, C.; Harding, V.; Parkinson, E. & Wareham, A. – London and Middlesex Hearth Tax. The British Record Society. Hearth Tax Series Volume IX, Part II. (London, 2014).

5) Acts and Ordinances of the Interregnum, 1642-1660. His Majesty’s Stationery Office. (London, 1911).

6)      Middlesex County Records: Volume 3, 1625-67. Middlesex County Record Society. (London, 1888).

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Filed under Tokens from East of the City Walls

At the sign of the Lobster by the Maypole in the Strand

A farthing tradesman's token issued at the sign of the Lobster in the Strand, Westminster.

A farthing tradesman’s token issued at the sign of the Lobster by the maypole in the Strand, Westminster.

The above copper farthing token measures 15.6 mm in diameter and weighs 0.85 grams. It was issued by a tradesman who operated from premises on the Strand in Westminster in the mid-17th century.

The design of the token may be formally described as follows;

Obverse: (mullet) THE. LOBSTER. AT. THE around the depiction of a lobster palewise.

Reverse: (mullet) MAIPOLE. IN. THE. STRAND around E (rosette) G

The initials on the reverse of this token are those of its issuer. Unfortunately reviews of hearth tax returns from the 1660s for the Strand area have failed to identify these initials with any specific individual. What is not in doubt is the location of the token issuer’s trade premises. This is made clear from the token’s obverse and reverse legends as being at the sign of the Lobster, adjacent to the maypole in the Strand.

The reference to the “maypole” on this token allows the trade premises of its issuers to be tied down to a very specific area of the Strand and arguably a specific period in time. Namely 1661 to 1672. This period coincides with a time when both the use of tradesmen’s tokens were current in London (i.e. 1648/9 to 1672) and during which the Strand’s celebrated maypole stood (i.e. pre 1644 and then again post April 1661).

The site of the maypole was on a patch of ground in the middle of the Strand east of Somerset House and at the southern end of Little Drury Lane and on which the construction of the church of St. Mary-le-Strand was later commenced in 1714.

The Strand, Westminster (c.1720) showing the location of the Church of St. Mary-le-Strand (in yellow)and the approximate location of the Strand maypole (in red).

The Strand, Westminster (c.1720) showing the location of the Church of St. Mary-le-Strand (in yellow) plus the approximate location of the Strand maypole (in red).

As a trade sign the lobster is recorded by at least four separate examples in London during the 1650s and 1660s (1). According to one authority(2) this sign is believed to have reference not to shell-fish but to a locally raised regiment of soldiers who during the Civil War were commonly known as the “Lobsters” or “London Lobsters” because of the bright steel shell armour in which their upper bodies were covered (Note 1).

The example of the lobster trade sign located at the maypole in the Strand is documented from two separate sources both of which are mid-17th century token issues. The first reference is that on the farthing described above. On the grounds of style and denomination this token likely dates from the 1650s to early 1660s. The second token referencing the sign of the lobster in the Strand is a halfpenny which, on stylistic grounds, likely dates to the mid to later 1660s. The details of this second, scarcer token, are outlined below.

Obverse: The legend ST. HARRISE IRONMONGER around the depiction of a lobster.

Reverse: The legend AGAINST YE and HIS ½ around the depiction of a maypole and a small building covered by a domed roof.

This token was issue by Stephen Harris, an ironmonger, who we can assume either;

  • Took over the business premises formerly occupied by the previous token issuer, i.e. the as yet un-identified individual whose initials were E. G.
  • Occupied adjacent business premises, possibly in the same building, to the as yet un-identified token issuer whose initials were E. G.

Assuming the first of the above options to be the most likely it is possible that the premises selected by Stephen Harris in which to set up his business had previously been an ironmongery. Such continuity of use would have allowed him to tap into the previous owner’s reputation (presuming it to have been a good one) and established customer base. If this was the case then it follows that the issuer of the earlier farthing token at the sign of the lobster was also an ironmonger. A review of the names of masters belonging to the Worshipful Company of Ironmongers during 1650s (3) indicates only one whose initials match those on the farthing token (i.e. E.G.). This was Edward Gardener. Much further research is required to positively link this individual as being the issuer of the above illustrated token. If the issuer can be proven to be an ironmonger it will help substantiate the earlier noted theory that this trade sign has associations with iron clad men at arms.

 A Brief History of the Maypole in the Strand

The maypole in the Strand was a well-known land mark in 17th century London and was arguably the most famous of all the capital’s maypoles which, according to one contemporary writer “were set up at every crossway” after the restoration of King Charles II (4).

The first maypole in the Strand was erected in the late 16th or early 17th century and was estimated to have stood 100 feet tall. Its precise location was close to where the remains of a medieval stone cross (the Strand Cross) stood and where, in the reign of King James I, was cited a windmill powered water pump and a watch-house (5). This site lay approximately on the western part of the plot now occupied by the church of St. Mary le Strand.

In 1634 the site of the maypole played host to the first dedicated Hackney Carriage stand in England. A former sea captain by the name of John Bailey invested in a fleet of four Hackney carriages which he based at the maypole. His drivers were each instructed to charged fixed price fares to various destinations within the city and its environs. Other private hire carriage men soon followed Bailey’s lead by working to a set of fixed fares and by using the maypole as a base and central pick-up point (6).

During the early years of the Commonwealth period the Puritan government viewed traditional maypoles as vile throwbacks to heathenism and on 6th April 1644 a Parliamentary ordinance outlawed them. This included the famous one in the Strand which was pulled down.

Shortly after the restoration of King Charles II a new and taller maypole was setup amid much ceremony and rejoicing. From a contemporary pamphlet entitled “The Citie’s Loyaltie Displayed” we learn that the second maypole was of cedar and stood 134 feet tall. While its erection had royal backing it was paid for by subscriptions from local parishioners at the head of who is understood to have been a farrier by the name of John Clarges (Note 2) (7). Clarges is believed to have operated a forge located on the west side corner of the junction between Little Drury Lane and the Strand (8).

According to the contemporary pamphlet mentioned above the maypole was brought in two parts from where it was made, below London Bridge, to Scotland Yard. From it was conveyed on 14th April 1661 to the Strand accompanied by a streamer flourishing before it and the playing of music and the beating of drums all along the route. To provide the specialist skills require for erecting the maypole Prince James, Duke of York and Lord High Admiral of England, commanded twelve seamen, who were familiar in erection of masts and rigging, to officiate the business. In order to facilitate their work they brought cables, pullies, and other tackle including six great anchors. On arrival at its destination in the Strand the two halves of the maypole were joined together and bound with supportive iron bands. It was topped with a purple streamer and around its middle was suspended a decorative hoop, like a balcony, on which was supported four crowns and the royal coat of arms. Then with the King and Prince James looking on, and amid sounds of trumpets and drums and loud cheers from the surrounding crowds, the maypole was slowly raised. It took the sailors 4 hours to fully elevate it upright and fix it into a socket on the ground where, or close to where, the previous maypole was remembered to have stood. Then amongst much celebration a party of Morris dancers, wearing purple scarfs and half-shirts, came forward commenced to dance around the maypole to the sound of a tabor and pipe (9).

The only contemporary images of the maypole, standing at its full height, are known from five separate issues of contemporary tradesmen’s tokens. Two of these are illustrated below.

Two tradesman's tokens of the mid-1660s depicting the maypole in the Strand, Erstminster. The token on the right shows a sugar loaf and three pepper corns possibly indicating its issyer was a grocer.

Two tradesman’s tokens of the mid-1660s depicting the maypole in the Strand, Westminster. The domed roof building shown in the token on the left is possibly the Strand Conduit House. The sugar loaf and three pepper corns shown either side of the maypole depicted in the right hand side token possibly indicating its issyer was a grocer as such were synonymous with this trade.

The author is of the opinion that the small building shown adjacent to the maypole on the first of these tokens is a conduit house. Accounts of such a stone building, erected over a spring, are recorded adjacent to the site of the maypole. For some time the fresh water from this spring was used to supply the local neighbourhood. By the time of Strype’s Survey of London and Westminster was published in 1720 the conduit house and spring were no longer in use (10). Contemporary with the maypole in this part of the Strand was also a pillory along with a Watchhouse which Strype confirm stood adjacent to the Conduit House (11).

This maypole erected in 1661 continued to be the site of May Day celebrations in the Strand for some 52 years until the second half of 1713 when due to general decay and a large amount of storm damage, incurred in 1672 (12) , it was taken down (13) . According to Strype only a mere 20 foot tall stump of the pole then remained (14). Following the maypole’s removal the site was cleared in preparation for the laying of the foundations of the church of St. Mary le Strand.

However, that wasn’t the final chapter in history of the maypole in the Strand. On 4th July 1713 amongst great joy and festivity a third maypole was erected on a site close by, slightly to the west of the previous location and adjacent to Somerset House. In much later times this site is said to have been marked by a water fountain (15) .

A contemporary print depicting a procession of the Houses of Parliament and Queen Anne along the Strand between Exeter Exchange and the maypole on 7th July 1713.

A contemporary print depicting a procession of the Houses of Parliament and Queen Anne along the Strand between Exeter Exchange and the maypole on 7th July 1713.

While it is uncertain it is probably the third of the Strand maypoles that is depicted in the above print by George Vertue. This depicts a procession of the Houses of Parliament and Queen Anne along the Strand between Exeter Exchange and the maypole on the way to a peace celebration in St. Paul’s Cathedral on 7th July 1713. The back drop to this view is the north side of the Strand, punctuated by the southern terminus of Catherine Street plus an array nearly 4,000 Charity School children seated on specially arranged temporary board seating (16).

Detail of the maypole in the Strand from a print by George Vertue showing a procession in the Strand on 4th July 1713.

Detail of the maypole in the Strand from a print by George Vertue showing a procession in the Strand on 4th July 1713.

This third maypole in the Strand had only a short existence. By 1717 it had been taken down so ending an era (Note 3).

Notes:

1) The London lobsters, Haselrig’s Lobsters or just Lobsters was the name given to the cavalry unit raised and led by Sir Arthur Haselrig, a leading Parliamentarian who fought in the English Civil War (17). The unit received its name because, unusually for the time, they were cuirassiers, wearing extensive armour that covered most of their upper body making them resemble lobsters. Only two cuirassier regiments were raised during the English Civil War, the other being the Lifeguard of the Earl of Essex. Full armour had largely been abandoned at this time, with cuirasses and helmets only worn by some cavalry commanders and pike units. The armour of a cuirassier was very expensive. In England, in 1629, a cuirassier’s equipment cost £4 10s, whilst that worn by a lighter cavalryman was a mere £1 6s (18). The Lobsters were probably the last unit to fight on English soil in near full armour, and one of the last in Europe.

2) John Clarges (born c.1590s) started his working life as a blacksmith and farrier at the Savoy, Westminster. In the second half of the 1610s he married Anne Leaver. The couple went on to have two children, Thomas and Anne (or Nan). Thomas became an apothecary while Anne became a milliner and seamstress. Some sources record both John and his wife dying in 1648. However, this isn’t confirmed and does not fit with additional references to John being one of the pre-eminent parishioners responsible for commissioning the second maypole in the Strand in 1661. So how did a lowly blacksmith come into such good fortunes and become largely responsible for commissioning such a famous restoration period London landmark? The answer starts several years earlier with John’s daughter Anne having the good fortune to becoming the wife (1652) of none other than General George Monk, 1st Duke of Albemarle, one of the leading architects of the restoration of King Charles II in 1660.

A contemporary print of the Ducke and Dutchess of Albermarle - George Monk & Anne Monk (nee Clarges).

A contemporary print of the Ducke and Dutchess of Albermarle – George Monk & Anne Monk (nee Clarges).

In 1644 Colonel George Monk, then head of the royalist forces in Ireland, was captured by Parliament and imprisoned in the Tower of London. Here he languished until November 1646 when, after the defeat of the Royalists in England, he took an oath of loyalty to Parliament and was released for service in Ireland. In 1647, he was appointed commander of Parliament’s forces in Ulster. Under the Commonwealth he went on to serve as a General-at-Sea in the 1st Anglo-Dutch War. He also served further in the army eventually becoming head of the Parliamentary forces in Scotland. By December 1659 he was arguably one of the most powerful men in the Kingdom being head of the army in both Scotland and England.

During his time in imprisonment Monk was regularly visited by Anne Clarges who it appears had secured a contract to supply clean linen to several of the wealthier prisoners in the Tower in addition to providing her services as a seamstress. By this time Anne had married Thomas Ratford and ran a shop at the sign of the Three Gypsies in the New Exchange off the Strand. According to John Aubrey (19) Anne was kind to the Monk during his imprisonment in a double capacity, eventually becoming his mistress. Despite her low social status, plain looks and at times coarse behaviour, Monk became increasing fond and reliant on Anne, even once released from the Tower. He continued to stand by her when she eventually became pregnant by him. After the separation and alleged death of Anne’s first husband she and the now General George Monk were married in Southwark in January 1652/3. This officially opened the doors of high society to Anne along with many new opportunities for her and her family. Despite Anne’s new elevated status she seemingly never lost her ill manners and was inclined to violent outbursts of rage and coarse language even when in the company of refined society. Despite having an apparent happy marriage it is thought that George was unquestionably afraid of Anne and that she considerably influenced and manipulated him in order to best promote their fortunes and public standing. It was no doubt through Anne’s influence that her brother Thomas Clarges became closely associated with Monk, initially as a physician to the army and later as Monk’s agent in London. This allowed him to move in elevated social circles and by 1656 he himself had become a member of parliament. Thomas’s future association with power and the nobility was secured in May 1660 when he was commissioned by Monk and Parliament to convey to the exiled Charles II the formal invitation to return to England and take up the throne. On presenting Charles with this communication the king knighted him on the spot. Thereafter Thomas’ future success in life, and those of his family, appears to have been secured.

On his return to England, in recognition of his services as a leading architect of his restoration, Charles II raised Monk to the rank of Lieutenant-General of the armed forces and elevated him to the peerage bestowing several honours and titles on him including that of 1st Duke of Albemarle. This meant that Anne was now a Duchess and a member of the court.

The naval administrator Samuel Pepys mentions Anne and Thomas Clarges several times in his famous diary. He generally speaks of Anne in a fairly derogatory fashion and on one occasion describes her as a “plain homely dowdy”.

The memorial to George and Anne Monk plus their third son Nicholas (Westminster Abbey).

The memorial to George and Anne Monk plus their third son Nicholas (Westminster Abbey).

George Monk died 3rd January 1669/70 but the funeral did not take place until 30th April as the King Charles II offered, but failed, to pay the expenses. Anne Monck died soon after her husband on 29th January 1670. The couples were interred in a vault in the north aisle of Henry VII’s chapel in Westminster Abbey.

3) After the final maypole in the Strand had been taken down it was purchased from the parish by Isaac Newton in 1717. In April 1718 it was subsequently sent by Newton to his friend the astronomer Rev. James Pound of Wanstead in Essex (20). Pound used the pole as a means of mounting a large lens (with a focal length of 123 feet) lent to him by the Royal Society. This lens, and its associated mountings and remotely held eye piece etc., formed part of an aerial telescope of the type crafted and designed by the Huygens brothers (Christiaan and Constantine) of Holland. The apparatus was gifted to the Royal Society by Constantine Huygens in 1691 (21) but had not been experimented with up until then owing to the difficulties associated with mounting its lens off a high fixed structure. Previous to James Pound experiments with the aerial telescope the Society had requested both Robert Hooke and Edmond Halley to investigate using the high scaffolding associated with the construction of the new St. Paul Cathedral as a possible means for supporting its lens. Such plans appear not to have come to fruition (22).

Huygens' aerial or tubeless compound rtpe telescope from a print of 1684.

Huygens’ aerial or tubeless compound type telescope from a print of 1684.

Despite the telescopes various operating challenges Pound appears to have put it to good use. By 1719 he had made measurements using the telescope that also allowed him to develop an equation for the transmission of light. Further of his observations using the telescope allowed Halley to correct his predictions of the movements of Saturn’s moons. Other of Pound’s measurements relating to Jupiter, Saturn and their satellites were employed by Newton in the third edition of the Principia. Some decades later Pierre-Simon Laplace also used Pound’s observations of the movements of Jupiter’s satellites to calculation the planet’s mass (23).

References:

1) Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to the Mid Nineteenth Century. (London, 1972).

2) Ibid.

3) Webb, C. – London Livery Company Apprenticeship Registers, Ironmongers’ Company 1655-1800. Volume 24. (Society of Genealogists. 1999).

4) Aubrey, J. Edited by Barber, R. – Brief Lives: A Modern English Version. (Woodbridge, 1982).

5) Thornbury, W. & Walford, E. – Old and New London: Volume 3 (London, 1878).

6) Richardson, J. – The Annals of London: A Year-by-year Record of a Thousand Years of History. (University of California Press, 2000).

7) Ibid 5.

8) Ibid 4. Foot note. Page 206.

9) Wheatley, H. B. – London Past and Present: Its History, Associations and Traditions. Volume II. (Cambridge University Press, 1891).

10) Strype, J. – A Survey of the Cities of London and Westminster. (London, 1720).

11) Ibid 10.

12) Ibid 4.

13) Ibid 9.

14) Ibid 10.

15) Ibid 9.

16) Diprose, J. – Some Account of the Parish of St. Clement Danes (Westminster): Past and Present. (London, 1868).

17) Bennett, M. – Historical Dictionary of the British and Irish Civil Wars, 1637-1660. (Abingdon, 2000).

18) Haythornthwaite, P. – The English Civil War: An Illustrated History. (Blandford Press, 1983).

19) Ibid 4.

20) Ibid 9.

21) Jungnickel, C. & McCormmach, R. – Cavendish. (Memoirs of the American Philosophical Society, 1996).

22) King, H. – The History of the Telescope. (2003).

23) Hockey, T.; Trimble, V. & Williams, T. Editors – Biographical Encyclopedia of Astronomers. Entry for James Pound. (2007).

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Filed under Tokens from West of the City Walls

Richard Harper of West Smithfield

A Farthing token of Richard Harper at the sign of the Harp in West Smithfield

A Farthing token of Richard Harper at the sign of the Harp in West Smithfield

The above copper farthing token measures 15.5 mm in diameter and weighs 0.96 grams. On purely stylistic grounds it would appear to date from the 1650s. It was issued by Richard Harper, a tradesman operating from premises in West Smithfield, London. The design of the token may be formally described as follows;

Obverse: (mullet) RIC. HARPER. AT. THE. HARP around a depiction of a harp.

Reverse: (mullet) IN. WESTSMITHFIELD around a triad of initials comprising R | .H. | .A with a small dot below the “C”.

The triads of initials on the reverse of the token are those of its issuer, Richard Harper and his wife, Mrs. A. Harper.

The depiction of the harp on the token’s obverse almost certainly represents the trade sign which hung over Richard’s business premises in West Smithfield. Such signs often featured objects that were readily associated with a current or former premises holder’s occupation or trade. In this case the sign’s subject matter may have been purposely selected as being synonymous with the traders own surname (i.e. harp and Harper). This was not uncommon as illustrated by the following half-penny token of 1667. Its issuer was Bartholomew Fish, a fletcher, who operated from premises in Queenhithe and traded under the sign of three fish. Another obvious play on words based on the trader’s surname.

A half penny token of Bartholomew Fish of Queenhithe, London

A half penny token of Bartholomew Fish of Queenhithe, London

While the token mentions no particular street name for the location of Richard Harper’s premises its reverse legend does make it clear that it was in West Smithfield. This area, in the Ward of Farringdon Without, lay just north of the old city walls between New Gate and Alders Gate entrances to the city. Then as now it was the location of one of the city’s principal meat markets and the home to St. Bartholomew’s Hospital which, being founded in 1123, holds the title of Europe’s oldest hospital. West Smithfield lies just outside the north-western limits of that area of London which was destroyed by the Great Fire of 1666.

West Smithfield, London. (c.1720) showing the Parish church of St Bartholemew the Less (above Well Yard - No.144) and St Bartholemew's Hospital(No.144)

West Smithfield, London. (c.1720) showing the Parish church of St Bartholomew the Less (above Well Yard – No.144) and St Bartholomew’s Hospital (No.144)

The Search for Richard Harper of West Smithfield

From a review of contemporary parish registers, rent books, Hearth Tax returns and livery company records it has been possible to put together an outline history of the token issuer, Richard Harper, and his immediate family and business interests.

It is likely that Richard Harper was born c.1589 in Shropshire, England. In 1601 he most probably lived with his family in the small hamlet of Woolstaston, located in the northern foothills of the Long Mynd in Shropshire. He had at least two slightly younger brothers, William and Thomas. At that time his father was described as a yeoman (1) of Woolstaston. However, by 1604 his occupation was described variously as clerk (10th July) and later (25th July) as minister (2) so by then he may have been serving his local parish church, St. Michael and All Angels, Woolstaston.

The parish church of St. Michael & All Angels, Woolstaston, Shropshire

The parish church of St. Michael & All Angels, Woolstaston, Shropshire

On 31st January 1601/2 Richard was bound by his father as an apprentice for seven years to Raffe Newbery, a citizen of London and master of the Worshipful Company of Stationers (3).

The Stationers’ Company was formed in 1403 and received a Royal Charter in 1557. It held a monopoly over the publishing trade and was officially responsible for setting and enforcing regulations within the industry. It retained this power until 1710.

It is not known if the Harper family already had associations with the publishing and book selling trade prior to young Richard being bound as an apprentice stationer in 1601/2. However, the links to this trade were to grow stronger as in 1604 Richard’s father also bound both of his younger sons to London Stationers. Richard’s brother William was apprenticed to John Bill on 25th July 1604 for a period of eight years while his brother Thomas was bound to Melchisedeck Bradwood for a period of seven years on 29th September 1604 (4).

Before focusing on Richard Harper’s later life it is worthwhile mentioning a few details regarding the careers of his brothers William and Thomas.

Thomas Harper completed his apprenticeship and received his freedom in 1611. His brother William completed his apprenticeship in 1612 (5). By 1614 the two brothers are recorded as being in partnership and operating as book sellers and stationers from a shop in old St. Paul’s Cathedral Churchyard (6). The brothers registered their first publication title, a translation of “A Discourse on Parent’s Honour and Authority” with the Stationer’s Company (as a form of early copyrighting) on 1st July 1614 (7).

The area around St. Paul’s churchyard was arguably the principal focus of London’s book and pamphlet trade throughout the first half of the 17th century. Other areas of the city were also prominent including Little Britain, with its tributary Duck Lane, Paternoster Row and London Bridge. In 1663 the French traveller, Samuel de Sorbière, commented on London’s book trade as follows (8);

“I am not to forget the vast number of booksellers’ shops I have observed in London, for besides those who are set up here and there in the city, they have their particular quarters such as St. Paul’s Churchyard and Little Britain where there are twice as many as in the Rue St. Jacques in Paris, and who have each of them have two or three warehouses.”

By 1634 Thomas Harper appears to have parted company with his brother William and was trading as a printer from his house in Little Britain (9). What became of William after he left his partnership with Thomas is unclear.

In 1639 Thomas Harper was working as a printer with a new partner, Richard Hodgkinson (10). During the early years of the English Civil War it is reported that he got into trouble on more than one occasion for printing pamphlets against the Parliament (Polder), leading several writers to label him as having Royalist sympathies. Thomas Harper appears to have continued his trade as a printer until his death in March 1655/6 (11).

We now return to the subject of Richard Harper, the slightly older brother of Thomas and William. Richard was bound into a seven-year apprenticeship with a master London stationer in 1601/2 and as such it would be expected that he would have received his freedom in 1608/9. However, the transcribed records of the Worshipful Company of Stationers (12) only record two individuals by this name and they didn’t receive their freedoms until 6th May 1633 and 4th November 1634 respectively. It is possible that one of these same named entries could be a transcribing error but equally they may both be correct. Either way thereafter the transcribed records of the Stationers’ Company appear to ascribe all future references to Richard Harper as relating to that individual who gained his freedom in 1633.

The above observations raise the question as to whether the Richard Harper who received his freedom from the Stationers’ Company in 1633 was the same Richard Harper who was bound an apprentice stationer in 1601/2. A search for the records of an additional apprentice(s) by this name, who may have been bound as a stationer in the mid 1620s, has so far failed to identify anything. The inference of this is that the young Richard Harper who was bound as an apprentice stationer in 1601/2 was very likely the same man who finally received his freedom from the Stationers’ Company in 1633. If this is the case then Richard may have failed to complete his original seven-year apprenticeship and hence becoming a freeman of the city in 1608/9 which thereafter would have allowed him to officially practice as a London stationer. Failure for individuals to complete their apprenticeship during this period was not uncommon and could have resulted from one of numerous reasons including;

  1. The death of the apprentice’s master or the failure of his business.
  2. The mutual agreement between master and apprentice for them to part ways amicably.
  3. The ill-treatment of the apprentice by the master causing the latter to run away or seek formal termination of the apprenticeship via the Livery Company or Lord Major’s Court.
  4. A change in family circumstances causing the apprentice to return home, with or without attaining any new skills in his new trade, to assist/take-over the family business or take-up an inheritance. This may or may not have included him taking up practice in his new trade if living outside of the City of London.

Having failed to complete his apprenticeship in 1608/9 didn’t necessarily preclude Richard Harper from ever officially practicing as a stationer within the City of London. There were alternative ways of becoming a registered livery company member and taking up the position of a freeman of the city. These included;

  1. By being the son of a freeman.
  2. By marrying the widow or daughter of a freeman.
  3. By redemption, that is by paying a “fine” to buy the privilege.

For Richard Harper to have become a freeman of the city and a member of the Stationers’ Company in 1633 then one of the above conditions must have applied. As he was initially bound as an apprenticeship stationer in the city in 1601/2 by his father, a yeoman/minister of Shropshire, it can safely be assumed that Richard must have either married into or bought his freedom and hence membership of the Stationers’ Company.

The transcribed records of the Stationers Company list Richard Harper as an active publisher and printer between 1633 and 1640 (13) although publications dated as late as 1652 are known to have been published in his name. He registered his first book title “Friendly Council or the Ways to Know Faithful Friend from Flattering Foe” with the Stationers’ Company on 22nd May 1633. He appears to have been a prolific publisher of popular ballads and pamphlets most of which bear his name or initials, business address and state that he was the work’s publisher. In addition the name of the publication’s printer is also given. On several of his earlier and later publications Richard contracted his brother Thomas Harper (in nearby Little Britain) to act as his printer. Between the dates 1634 to 1657 Richard Harper’s business address is variously imprinted on his publications as;

1) Richard Harper, near to the Hospital Gate in Smithfield.

2) Richard Harper at the Bible and Harp in Smithfield.

Richard Harper's address details as found in several of his publications

Richard Harper’s address details as found in several of his publications

…and less frequently as;

3) Richard Harper, in Smithfield

4) Richard Harper, at his shop in Smithfield

5) Richard Harper, in Smithfield, at the Sign of the Bible

6) Richard Harper, at the sign of the Harp in Smithfield

A review of publication dates (14) indicates that there is no chronological pattern to which of the above address formats was applied and so in spite of the variations it is likely that all of the above descriptions refer to a common shop location close to the gate to St. Bartholomew’s Hospital in West Smithfield at or by the sign of the Bible and Harp. The last of the above address variations is that used on the obverse of Richard’s token.

It is likely that Richard Harper personally selected his trade sign (i.e. the Bible and Harp) rather than inheriting it from a previous shop occupant. As has been previously pointed out the image of the “Harp” is synonymous and an instant reminder of Richard’s surname “Harper”. The representation of one or more bible (often in the form of three bibles arranged in a triangular pattern) as a trade sign was commonly used by booksellers and stationers and would have been instantly recognisable to passers-by.

The obverse of a penny token of 1666 issued by Hugh Davies, Stationer at the sign of the Three Bibles in Holyhead, North Wales

The obverse of a penny token of 1666 issued by Hugh Davies, Stationer at the sign of the Three Bibles in Holyhead, North Wales

The sign is first recorded in London in 1558 (15) and was later incorporated into the coat of arms of the Worshipful Company of Stationers. Putting the two component elements of Richard’s trade sign together we have Harp(er) the bookseller.

It has not been possible to precisely locate the original site occupied by Richard Harper’s shop in West Smithfield. However, its approximate location can be narrowed down from the description used in various of Harper’s publications, i.e. “near to the Hospital Gate in Smithfield”. The hospital in question is St. Bartholomew’s which in the mid-17th century still followed much of its medieval layout despite various expansions and alterations which commenced from the time of the re-foundation by King Henry VII. The original medieval hospital complex had four separate gates. These were the South or Tanhouse Gate, the Hartshorn or Giltspur Street Gate, the Little Britain Gate and lastly the Smithfield Gate (16). The latter appears to have been on the site of today’s King Henry VIII Gate which, in its present form, dates from 1703.

The main entrance to St. Bartholemew's Hospital - King Henry VIII Gate built in 1702 on the site of the original West Smithfield Gate

The main entrance to St. Bartholomew’s Hospital – King Henry VIII Gate built in 1702 on the site of the original West Smithfield Gate

It was near to this gate where Richard Harper’s shop was located. Presumably one of the buildings located on the east and west sides of the gate which fronted onto Smithfield. It appears that Richard Harper was not the only book seller in this part of West Smithfield at this time. There were several others (17)(18) ;

  1. Richard Burton (book seller) at the Hospital Gate, West Smithfield (c.1641-74)
  2. Henry Eversden (book seller) under the Crown Tavern in West Smithfield (c.1657-67)
  3. Thomas Lambert at the sign of the horseshoe near the Hospital Gate, Smithfield (c.1633-43)
  4. Andrew Sowle (printer) at Pie Corner, Smithfield
  5. John Oakes (printer) in Little St. Bartholomew, Smithfield (c.1636-44)
  6. James Crumpe (book seller and book binder) in Little St. Bartholomew’s Well Yard (c.1630-61)
  7. John Clarke (book seller) at the sign of the Fleur de Lys near the Hospital Gate in Smithfield (c.1654)
  8. Philip Brooksby (book seller) variously described as being next to the sign of the Ball or at the Golden Ball near the Hospital Gate, West Smithfield or at the sign of the Ball and Harp near the Bore Tavern, Pye Corner (c.1672-96)

Rounding the corner and going into Duck Lane and then Little Britain the concentration of book sellers and printers increased.

The rear of St. Bartholomew Hospital's King Henry VIII Gate showing the west end entrance to the parish church of St. Bartholemew the Less

The rear of St. Bartholomew Hospital’s King Henry VIII Gate showing the west end entrance to the parish church of St. Bartholomew the Less

A list of annual rents paid on properties in the Parish of St. Bartholomew the Less in 1638 (19) indicates one for £1/10 on a property referred to as “Harpers”. Presumably this was Richard Harper’s book shop. Compared to other rents in this parish listing that paid on “Harpers” is of a comparatively very low sum. This possibly indicates it being a small and basic establishment.

St. Bartholomew's Hospital in 1617 showing the West Smithfield Gate towards the bottom of the image

St. Bartholomew’s Hospital in 1617 showing the West Smithfield Gate towards the bottom of the plan

From the triad of issuers’ initials on the reverse side of Richard Harper’s token we know that the Christian name of his wife began with “A”. A review of London parish registers and marriage records between 1620 and 1665 has indicated three possible matches the last of which happens to be in the same parish as Richard Harper’s bookshop;

1631: Marriage of Richard Harper and Ann Rickman at St. Anne Blackfriars

1634/5, 2nd February: Marriage of Richard Harper and Anne Hutton at St. Giles Cripplegate

1646; 19th May: Marriage of Richard Harper and Anne Walke at St. Bartholomew the Less

The last record of dated publications in the name of Richard Harper, from is shop at in West Smithfield, appears to be 1657. A review of Hearth Tax returns from 1666 for the parish of St. Bartholomew the Less indicates no tax payers by the name Harper. This may indicate that Richard had moved out of the area or had died. The latter appears likely as the burial register for the parish of St. Bartholomew the Less lists an entry for a “Richard Harper” on 14th March 1659.

While Richard Harper may have died whist still trading from his premises in West Smithfield the legacy of his shop, its trade sign of the Bible and Harp, and printed address of being near the Hospital Gate in West Smithfield continued under two successive publishers and book sellers, firstly John Clarke (c.1688-78) (20) (Note 1) and then James Bissel (1687-96) (21).

Notes:

  1. This is almost certainly the same John Clarke whose publications record his address as being at the sign of the Fleur de Lys near the Hospital Gate in Smithfield in 1654. It is also probably the same named person who paid Hearth Tax on a relatively small property (i.e. one having only two hearths) in the Well Yard of St. Bartholomew the Less in 1666 (22).

 

References:

  1. Arber, E. – A Transcription of the Registers of the Company of Stationers of London. 1554-1640 A.D. Volume III. (London, 1876).
  2. Ibid.
  3. Ibid.
  4. Ibid.
  5. Ibid.
  6. On-line data base entry in the British Book Trade Index (www.bbti.bham.ac.uk).
  7. Ibid [1].
  8. Berry, G. – Seventeenth Century England: Traders and their Tokens. (London. 1988).
  9. Plomer, H.R. – A Dictionary of Booksellers and Printers who were at work in England, Scotland and Ireland from 1641-1667. The Bibliographical Society. (London. 1907).
  10. Ibid [9].
  11. Smyth R. – Obituary of Richard Smyth, Secondary of the Poultry Compter, London: Being a Catalogue of All Such Persons as he Knew in Their Life: Extending from 1627 to A.D. 1674. Edited by Sir Henry Ellis, K.H. The Camden Society. (London, 1849).
  12. Ibid [1].
  13. Ibid [1].
  14. On-line basic search using British Library English Short Title Catalogue. (http://estc.bl.uk/).
  15. Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to the Mid Nineteenth Century. (London, 1972).
  16. Power, Sir D’A. – A Short History of St. Bartholomew’s Hospital (Founded 1123) – Past and Present. (London, 1935).
  17. Ibid [9].
  18. Plomer, H.R. – A Dictionary of Booksellers and Printers who were at work in England, Scotland and Ireland from 1668-1725. The Bibliographical Society. (London. 1922).
  19. Dale, T. C. – The inhabitants of London in 1638. Edited from MS. 272 in the Lambeth Palace Library. Society of Genealogists. (London, 1931).
  20. Ibid [14].
  21. Ibid [14].
  22. Davies, M.; Ferguson, C.; Harding, V.; Parkinson, E. & Wareham, A. – London and Middlesex Hearth Tax. The British Record Society. Hearth Tax Series Volume IX, Part II. (London, 2014).

Acknowledgements:

The author gratefully acknowledges Patricia Fumerton (Director of UCSB’s English Broadside Ballad Archive) and Kate Jarman (Deputy Archivist, St. Bartholomew’s Hospital Archives & Museum) for information supplied during the research of this article.

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Filed under Tokens from North of the City Walls

George Carpenter, Mealman of Wapping

A farthing token issued by George Carpenter - A mid-17th century grain dealer of Wapping, London.

A farthing token issued by George Carpenter – A mid-17th century grain dealer of Wapping, London.

The above copper farthing token measures 15.6 mm in diameter and weighs 0.80 grams. It was most likely issued in the 1650s. The token was issued by George Carpenter, a mealman (i.e. a dealer in cereal grains and milled flour) operating from premises in Wapping. The design of the token may be formally described as follows;

Obverse: (mullet) IORG. CARPENTR. IN around a twisted wire inner circle, within a depiction of a wheat sheaf.

Reverse: (mullet) WAPING. MELL. MAN. around a twisted wire inner circle, within a triad of initials comprising G | .C. | .S with a small dot below the “C”.

Even by the phonetic spelling standards of the 17th century the obverse legend on this token appears clumsy, i.e. JORG. for GEORG. along with the missing “E” in the issuer’s surname.

The triads of initials on the reverse of the token are those of its issuer, George Carpenter, and his wife, Mrs. S. Carpenter.

The depiction of the wheat sheaf on the token’s obverse almost certainly represents the trade sign which hung over George’s business premises in Wapping. The symbol of a wheat sheaf was popular in 17th century London as a tavern sign and was also adopted by many bakers and mealmen, an emblem synonymous with their respective trades (1).

During the mid-17th century the area to the east of the Tower of London was still relatively lightly populated and in parts semi-rural. It contained a scattering of villages, including Wapping and Shadwell, which collectively were to become the borough of Tower Hamlets.

Wapping developed along the north embankment of the Thames, hemmed in by the river to the south and the now drained Wapping Marsh to the north. This gave it a peculiarly narrow and constricted shape, consisting of little more than the axis of Wapping High Street and some north-south side streets. John Stow, the 16th century historian, described it as a “continual street, or a filthy strait passage, with alleys of small tenements or cottages, built, inhabited by sailors’ victuallers”(2). A chapel to St. John the Baptist was built in Wapping in 1617. However, the hamlet continued to remain part of the parish of St. Dunstan and All Angels, Stepney until it was constituted as a parish in its own right in 1694.

The Parish of St. John's Wapping with inset map indicating its relative location within Eastern London (c.1720).

The Parish of St. John’s Wapping with inset map indicating its relative location within Eastern London (c.1720).

Being located on the north bank of the River Thames, Wapping had long been associated with ship building, fitting and provisioning. It was inhabited by sailors, mast-makers, boat-builders, blockmakers, instrument-makers, victuallers and representatives of all the other associated maritime trades. Wapping was also the site of “Execution Dock”, where pirates and other water-borne criminals faced execution by hanging from a gibbet constructed close to the low water mark. Their bodies would be left suspended until they had been submerged three times by the tide.

A further farthing token is known to have been issued in the name of George Carpenter, mealman of Wapping. It is very similar to the one described earlier other than for the following differences;

1)      The die sinker has corrected the spelling of the issuer’s name from JORG. to GEORG. CARPENTER on the token’s obverse.

2)      The triad of initials on the reverse of the token have been altered to G | .C. | .M

Surviving examples of this second token are far commoner than first type described which until relatively recently was unrecorded.

A farthing token issued by George Carpenter - A mid-17th century grain dealer of Wapping, London.

A farthing token issued by George Carpenter – A mid-17th century grain dealer of Wapping, London.

The fact that the anomalous spelling of George’s name has been corrected on this second token is suggestive of it being a later farthing struck in the name of the original token’s issuer. The change in the triad of initials on the reverse of this second token (i.e. from “S” to “M”) is also of note and suggests that the issuer had re-married by the time this second farthing was commissioned.

The Search for George Carpenter of Wapping – A Tale of two Mealmen?

A good point to start the search for any 17th century London token issuer are Parish Registers, particularly those in the immediate locality to the area from which their trade premises were located. A review of parish registers from eastern London yields several references to a person(s) named George Carpenter in the neighbourhood of Wapping in the 1640s to 1660s. Looking at these entries as a whole it is obvious that there was more than one individual in the Wapping area during this period bearing the name “George Carpenter” and that some, if not all, of them were related.

From the parish register entries alone it is difficult to draw precise and accurate conclusions as to the history and relationships of those individuals whose initials are presented in the triads on the reverse sides of the two above trade tokens (i.e. Mr. G.C and Mrs. S.C plus Mr. G.C. and Mrs. M.C.). However, thanks to the preservation of the Will of one George Carpenter, mealman of Wapping, in the National Archives it is possible to address most of the gaps and questions raised from the Parish Register entry evidence.

It is possible that George Carpenter was the son of Thomas and Joyce Carpenter of (Old) Gravel Lane, Wapping. While it is not certain when he was born it is likely to have been several years prior to his sister Elizabeth whose baptism is probably that recorded on the 15th June 1632 in both the parish church registers of St. John’s Wapping and the neighbouring St. Mary’s, Whitechapel.

On 16th February 1636 a George Carpenter married an Alice Caustin at All Saints’ Church, Wandsworth, Surrey. It is possible that these individuals are one and the same as those recorded in the following parish register entries for St. John’s Church, Wapping which must almost certainly refer to the same George Carpenter whose Will is preserved in the National Archives at Kew (3);

1642 – August: Baptism of James son of George and Alice Carpenter

1644 – 22nd November: Baptisms of Sarah and Rebecca twins of Alice and George Carpenter, mealman

From the earlier mentioned Will of George Carpenter, mealman of Wapping, it is clear that at the time of its preparation in February 1651/2 George’s second oldest son was named William. The Will contains no mention of Sarah or Rebecca so it can be assumed that they both died in infancy.

At some time after the 1644 but prior to 1647 it appears that George Carpenter re-married as indicated from the further parish register entries from St. John’s Church, Wapping, listed below.

1647 – 16th October: Birth and baptism of William Carpenter son of George Carpenter, mealman of Old Gravel Lane, and Susana Carpenter

1650 – 24th October: Baptism of William Carpenter son of George Carpenter and Susana Carpenter

1651 – 26th June: Burial of Henry son of George Carpenter

Presumably Alice Carpenter died some time shortly after the birth of Sarah and Rebecca although no burial record has so far been found for her. A baptism record has similarly not been identified for Henry Carpenter so it is unclear if he was the son of Alice or George’s second wife Susana.

It is interesting to note from the above parish register entries that in 1647, at least, the Carpenter family were living in the same area of Wapping, i.e. Old Gravel Lane, as George’s parents had lived at the time of his sister Elizabeth’s baptism in 1632.

A map of Wapping showing the location of Old Gravel Lane (c.1720).

A map of Wapping showing the location of Old Gravel Lane (c.1720).

As yet a marriage record for George and Susana Carpenter has not been identified but presumably they must have been married by the end of in 1646 at the latest.

At the time George Carpenter made his last Will and Testament on 3rd February 1651/2 he describes his condition as being “sick and weak in body”. He states himself as still being a mealman of the hamlet of Wapping and still married to “his loving wife” Susana, who he named as executrix of his Will and whose duty was to be assisted by three overseers, namely his brother-in-law, Robert Hutton and two of his friends, Edward Parsons and George Street.

According George’s Will in February 1651/2 he had four surviving children all of whom were under the legal age of entitlement (i.e. 21). In addition to providing several interesting details concerning his surviving family, George’s Will also identifies some of his closest friends, property holdings and personal wealth. In accordance with the provisions of his Will George divided his estate and belongings into the following bequests;

1)      To his eldest son George on his 21st birthday:

The sum of £300 plus two free hold tenement properties complete with a “Corn yarde with Corn flatts, pitts, Cisternes (and) Mill Kill(n)” in Long Lane, Bermondsey. George had recently purchased these properties from William Hirrocks a citizen and brewer of London. At the time the Will was prepared both properties were being occupied by Edward Birknell, a tanner.

2)      To his second eldest son James on his 21st birthday:

The sum of £500.The interest from which was to be used for their education and maintenance until the time of their coming of age and receipt of their full inheritance.

3)      To his two youngest sons John and William on their 21st birthdays:

The sum of £250 each. The interest from which was to be used for their education and maintenance until the time of their coming of age and receipt of their full inheritance.

4)      To his cousin and servant George Carpenter:

The sum of £60.

5)      To his sister Elizabeth Hutton, brother-in-law Robert Hutton and his good friends Edward Parsons and George Street:

The sum of 40 shillings each for the purchase of mourning rings with which to remember him by.

6)      To his wife Susanna:

All the remains of his worldly house hold goods, stock, ready money, plate and leases.

A mid 17th Century Deaths Head Type Funerary Ring from London

A mid 17th Century Deaths Head Type Funerary Ring from London

Within a week of George making his Will the following record was entered into the parish register of St. John’s Church Wapping.

1651/2 – 9th February: Burial of George Carpenter the husband of Susan

George’s will was proven on 18th February 1651/2.

Without any doubt whatsoever it is certain that the first of the two farthing tokens illustrated above (i.e. that bearing the reverse triad of initials G | .C. | .S) was issued by George and Susanna Carpenter sometime between 1648/9, when the issue of such farthings commenced in London, and the death of George in February 1651/2. So what of the second token (i.e. that bearing the reverse triad of initials G | .C. | .M) issued in the name of George Carter, mealman of Wapping? The third initial does not match the Christian name of either of George’s known two wives, Alice or Susanna. So who did issue the second farthing token? The answer to this question is inferred in the following entry from the parish register of St. Dunstan’s Church, Stepney;

1654 – 10th December: Christening of George (15 days old) son of George Carpenter, mealman of Wapping, and Mary Carpenter

It appears that the second token was issued by George Carpenter junior and his wife Mary after his father’s death in 1651/2. George junior obviously decided to follow in his father’s footsteps and became a dealer in cereal grain whist staying, at least for a time, in his family home of Wapping. He even issued an almost identical farthing trade token to the one circulated by his father some years earlier. Based on the style of George junior’s token it is likely to date to the mid-1650s to early 1660s. The comparative high frequency with which these slightly later tokens appear in the paranumismatic record suggests they were issued in larger numbers and had a longer circulation life than the ones issued by his father.

A marriage record, dated 27th March 1651, exists for a George Carpenter and Mary Ward of the parish St. Margaret’s, Westminster. While this could be the marriage of George Carpenter junior it is dated nearly a year prior to George Carpenter senior’s Will in which there is no mention of his eldest son, who was then still less than 21 years of age, being married.

A further review of the London parish registers of the period has revealed several other references to George Carpenter junior, mealman of Wapping and his family.

1654 – 28th November: Birth of George Carpenter the son George and Mary – St. John’s, Wapping.

1657/8 – 4th February: Burial of a male child still-born of George and Mary Carpenter – St. John’s, Wapping.

1659 – 3rd April: Baptism of John the son of George Carpenter, mealman of Wapping Dock, and Mary Carpenter – St. John’s, Wapping.

1663 – 21st April: Christening of George (15 days old) son of George Carpenter, mealman of Upper Shadwell, and Mary Carpenter – St Dunstan’s, Stepney.

1665 – 28th May: Burial of George Carpenter the son of George and Mary Carpenter – St. John’s, Wapping.

The death of George and Mary’s infant son in May 1665 was probably due to him contacting plague. Like other areas of London the Tower Hamlets area was badly hit by the infamous outbreak of bubonic plague which decimated the capital’s population during 1665 and into 1666.

The period 1654 to 1665 the Carpenters address is variously given in the above parish register entries as Wapping (1654), Wapping Dock (1659) and finally Upper Shadwell (1663). The Hearth Tax returns from Wapping Hamlet of 1666 indicates a George Carpenter occupying premises with four hearths. Unfortunately the hearth tax entry fails to identify which part of Wapping he lived in.

References:

1)      Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to the Mid Nineteenth Century. (London, 1972).

2)      Strype, J. – A Survey of the Cities of London and Westminster: Containing the Original, Antiquity, Increase, Modern Estate and Government of those Cities. – Corrected, Improved, and very much Enlarged Edition. (London, 1720).

3)      PROB/11/220. National Archives (London).

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Filed under Tokens from East of the City Walls

Richard Athy at the sign of the Fleur de Lys in St. James Market Place, Westminster

A half penny token issued by Richard Athy at or by the sign of the "Fleur de Lys" in St. James Market, Westminster

A half penny token issued by Richard Athy at or by the sign of the “Fleur de Lys” in St. James Market, Westminster

The above octagonal brass half penny token measures 19.8 mm by 19.9 mm and weighs 2.06 grams. It was issued in 1668 by a tradesman named of Richard Athy whose premises were at or close by the trade sign of the “Fleur de Lys” in St. James Market Place, Westminster. The design of the token may be formally described as follows;

Obverse: (mullet) RICHARD. ATHY. 1668 ∙:∙ within inner and outer octagonal borders, around a central Fleur de Lys.

Reverse: Legend within six lines divided by five horizontal beaded lines reads, IN ST. / IAMESES / MARKETT / PLACE . HIS. / HALFE / PENY

St. James Market, Westminster (c.1720).

St. James Market, Westminster (c.1720).

This particular token was struck relatively late in the series of mid-17th century tradesmen’s tokens whose issue extended from 1648/9 to 1672. This is clear not only from the token’s legend, which indicates the date 1668, but also from its very distinctive shape. From or just prior to 1668 token manufacturers introduced four new shapes of flan on which they began to strike half penny and penny tokens. In order of their frequency of occurrence these were;

1)      Octagonal

2)      Heart-shaped

3)      Square

4)      Diamond-shaped

It has been suggested that these additional shape options were a marketing ploy to try and revitalize the token makers’ business which, by this date, had passed its peak.

Richard Athy’s token clearly infers the location of his business premises as being at or close by the sign of the “Fleur de Lys” in St. James Market Place, Westminster. Unfortunately this particular sign was adopted by a variety of tradesmen in London in the 17th century (1) and so offers no definitive clues as to Richard’s occupation. A review of several sets of surviving contemporary records has similarly failed to shed any light on Richard’s vocation. However, the records of the Worshipful Company of London Vintners list a Richard Athey as taking on four apprentices between 1672 and 1679 (2). These were;

  • Samuel Crew – The son of Robert, citizen of London and dyer on 1st October 1672
  • Phillip Scarlett – The son of Laiton, Warden and gentleman of Shropshire on 6th July 1676
  • John Lattimer – The son of John, citizen of London and cloth worker on 3rd October 1676
  • William Harris – The son of a late London grocer on 6th May 1679

Assuming that the master of above apprentices is one and the same person as our token issuer we can reasonably assume that he was a vintner who ran a tavern in St. James Market Place which traded under the sign was the fleur-de-leys.

Interestingly there appears to be no record of a Richard Athey ever being an apprentice of the Worshipful Company of London Vintners. This may indicate that he served his apprenticeship under a master tradesman belonging to a different (and as yet un-identified) London Livery Company. Examples of apprentices taking up final employment in a different trade to that in which they were originally trained is not unknown in the 17th century and became increasingly common in the 18th and 19th centuries.

There appears to be no listings for an Athey (or Athy) family in the Westminster Hearth Tax returns for 1666. However, analysis of transcribed London parish registers together the Westminster Highway and Poor Relief Rate Books has yielded more positive results.

A search of London parish registers has to date identified fifteen separate entries mentioning a Richard Ath(e)y and his immediate family. However, not all of these necessarily refer to the same individual who issued the above token. By viewing the records as a whole it is obvious that they refer to at least two separate individuals who shared a common name and lived in London during the same period. From the total of fifteen records two in particular stand out as being highly suspect as referring to a different Richard Ath(e)y to that of the token issuer. For completeness these entries have been recorded at the end of this article (see Notes 1 & 2).

The following record was entered on 24th January 1663/4 in the parish registers of St. Mary Somerset, which was located off Upper Thames Street in the Queenhithe Ward of the city.

  • Richard Athy and Susana Dix spinster one Northamp’sher one Essex, married

Further details relating to the above couple are available from their marriage license (3), reproduced below;

January 16th 1663/4 – Richard Athy, of Little Billing, co. Northton, Bachr, 23, & Susan Dix, Spr, 21, dau. of John Dix, of Romford, co. Essex, Gent., who consents; at St. Mary Mounthaw or St. Mary Somerset, London.

It is clear from the above that Richard was born in c.1640/1 and originated from Little Billing, Northamptonshire. Interestingly this small village, located approximately four miles west of the County town of Northampton, was the home of another mid-17th century London token issuer, John Athy, who shared the same surname as Richard and who was slightly older than the latter (see Note 3). It highly likely that the two men were directly related, possibly being either brothers or, possibly given the age difference, uncle and nephew.

It is reasonable to assume that Richard’s marriage to Susanna in 1663/4 was his first marriage and that only a few years previously he had completed a standard seven year trade apprenticeship. It is likely that this was served under a master tradesman belonging to one of London’s ancient livery companies. However, no record of his apprenticeship has yet been found.

Returning to the earlier mentioned parish register entries we find a total of 12 children being christened to a Richard and Susana(h) Ath(e)y within the bounds of London and Westminster between 1666 and 1686. These are listed below in chronological order;

1)      Elizabeth – Christened at St. Martin in the Fields, Westminster – 9th December 1666

2)      Susanna – Christened at St. Martin in the Fields, Westminster – 18th January 1667/8

3)      Richard – Christened at St. Martin in the Fields, Westminster – 24th February 1669

4)      Ester – Christened at St. Martin in the Fields, Westminster – 21st May 1672

5)      Mary – Christened at St. Olave, Old Jewry, London – 20th June 1673

6)      John – Christened at St. Olave, Old Jewry, London – 17th March 1674, Died 19th May 1675

7)      Susana – Christened at St. Olave, Old Jewry, London – 19th July 1676

8)      Rebecah- Christened at St. Olave, Old Jewry, London – 4th November 1674

9)      Susanah – Christened at St. Olave, Old Jewry, London – 4th May 1679

10)  Oliver – Christened at St. Martin in the Fields, Westminster – 2nd June 1681

11)  Frances (Miss) – Christened at St. Martin in the Fields, Westminster – 28th March 1682

12)  Henry – Christened at St. Martin in the Fields, Westminster – 1st December 1686

Given the high mortality rate of children in London in the mid-17th century it is doubtful if all of the above survived infancy. It is clear from the respective parish register entry that their son John died in infancy. The fact that the couple named three of their daughters Susanna is a possibly indication that the first two had both died prior to each other whilst still in infancy.

The above list of christenings indicates that prior to 1673 Richard and Susanna Athy’s home parish was St. Martin in the Fields. This was the adjacent parish to St. James, Westminster where, at least in 1668, we can be fairly certain that Richard was a vintner plying his trade from premises at or by the Fleur de Leys tavern in St. James Market Place.

Between c.1673 and c.1679 it appears that the Athy family was living in the City of London where they had been married in 1663/4. By 1681 it appears that they were once again living in Westminster. This temporary move out of Westminster is further reflected by the short-term absence of Richard Athy’s name from the Westminster Highway and Poor Relief Rate Books. This is indicated by the summary of dated entries from both sets of books as listed below.

1672 – Two houses in the Market Place, St. Martin in the Fields, Westminster.

1682, 1683 & 1684 – Charles Street, south side, St. Martin in the fields, Westminster.

1684 (post May) & 1685 – Knigbridge, St. James Piccadilly, Westminster.

1688, 1690, 1693, 1694, 1695, – New Pye Street, St. Margaret’s, Westminster.

1696 – Orchard Street, St. Margaret’s, Westminster.

There is a possibility that the above listings relate to two or more individuals sharing a common name. For example some of the later entries (i.e. those after 1690) could be references to Richard Athy Junior (i.e. the token issuer’s son). Evidence to suggest that all the above entries are for Richard Athy the token issuer can be found in the Will of his son Richard junior (4). This document was prepared in 1689 and amended in 1692. During this period The Will states that Richard junior was a Lieutenant serving under Captain and Commander Charles Hawkins on Their Majesties Ship Advice, a fourth-rate Royal Navy frigate armed with 48 guns (5). The Will states that the principal beneficiaries of Richard’s estate were to be his father Richard Athy (Gentleman) of the parish of St. Margaret, Westminster and William Medgate (Scrivener) of London. Thus it is confirmed that after 1685 Richard Athy, the token issuer, moved out of the St. James area of Westminster and sequentially took-up residence in two separate addresses in the parish of St. Margaret, Westminster between 1688 and 1696.

After 1696 no further documentary references to Richard Athy (the token issuer) have yet come to light. It is likely that he died shortly after this date although no burial record has yet been found for him or his wife Susanna.

A Brief History of the early history of St. James Market, Westminster

In the 1650s the open space west of the Haymarket and north of Pall Mall, known as St. James’ Fields was considered ripe for development but hitherto this had been forbidden by the Crown. In March 1661/2 the Earl of St. Albans was granted a lease of much of this area by the Queen Mother. Development of the area was given further impetus in July 1662 when a meeting of commissioners for reforming the streets and buildings of London ordered the “paving of the way from St. James’, north, which was a quagmire, and also the Haymarket about Piqudillo”. A further Act of that same year also made provision for the paving of Pall Mall, the Haymarket and St. James’ Street. By 1663 the development of St. James’s Fields by the Earl had begun. As part of this development he established a market to serve the growing number of people who had come to live in the new buildings in the vicinity (1). This is the Westminster (or St. James) Market Place referred to as being the issuing location of the above token.

A view of Westminster by the Dutch engraver Jan Kip (c.1722).

A view of Westminster by the Dutch engraver Jan Kip (c.1722).

The Earl’s new market is first mentioned in a building lease of July 1663. The Westminster rate books confirm that it had been laid out and houses built around it before the end of the year. Building in Market Lane and St. Albans Street soon followed. The market itself was proclaimed on 27th September 1664 and facilitated the sale of all sort of provisions every Monday, Wednesday and Saturday. By 1665 the new market place had its own purpose built market house and had also been made the new venue for the ancient St. James’ Fair (1).

“Whereas St. James Fair has been formerly kept in the Road near the House of St. James; be it known, that hereafter it is to be kept in St. James’ Marketplace to begin the 25th of July 1665, and to continue for 15 days at least in the Place aforesaid: A special care being taken for a better Regulation of the People thereabouts then has been formally.”

This annual fair had been held in the vicinity of St. James’ Fields since 1290. By the mid-17th century it had gained the reputation of being a boisterous and at times rowdy event. There is no record of how long the fair continued to be held in its new location.

On 1st April 1666 Samuel Pepys, the celebrated diarist and naval administrator recorded visiting the new market;

“So all up and down my Lord St. Albans his new building and market-house, and the taverne under the market-house, looking to and again into every place of building, and so away and took coach and home…”

Pepys mentions the market a second time in his diary in his entry for 11th April 1669.

“My wife and I out by coach, and Balty with us, to Loton, the landscape-drawer, a Dutchman, living in St. James’s Market, but there saw no good pictures. But by accident he did direct us to a painter that was then in the house with him, a Dutchman, newly come over, one Evarelst, who took us to his lodging close by, and did shew us a little flower-pot of his doing, the finest thing that ever, I think, I saw in my life; the drops of dew hanging on the leaves, so as I was forced, again and again, to put my finger to it, to feel whether my eyes were deceived or no. He do ask £70. for it: I had the vanity to bid him £20.; but a better picture I never saw in my whole life; and it is worth going twenty miles to see it.”

The Dutch artists being referred to above can be identified as Jan Looten (1618 to 1681) and Simon Verelst (2).

In 1720 John Strype (3) describes St. James Market as follows;

“St. James’s Market, a large place, with a commodious Market-house in the midst, filled with butchers shambles; besides the stalls in the Market Place, for country butchers, higglers, and the like; being a market now grown to great account, and much resorted unto, as being well served with good provisions. On the south-west corner is the paved alley, a good through-fare into Charles Street, and so into St. James’s Square, and those parts; but is of no great account for buildings or inhabitants. On each side, or square, of this market is a Row of houses, inhabited by such as have a dependence on the market, kept twice a week, but that on Saturdays is the most considerable.”

Parts of St. James Market house were occasionally used for purposes unconnected with trade. Richard Baxter, the Presbyterian preacher, held a number of meetings in rooms above Market-house and on one such occasion, in 1674, the size of his congregation was so great that the central supportive beam which supported the market’s upper story split and had to undergo emergency repairs before the upper rooms of the market could be re-opened (2).

The Market House in St. James Market Westminster from Strype's Map of 1720 and Jan Kip's engraving of Westminster of c.1722.

The Market House in St. James Market Westminster from Strype’s Map of 1720 and Jan Kip’s engraving of Westminster of c.1722.

I have been unable to find any contemporary images of St. James Market other than for the long distant partial view plus the schematic representation illustrated above. The first of these is Johannes Kip’s early 18th century print entitled “A Prospect of the City of London Westminster and St James’s Park”. In this the partial view of the Market shows a large building with a simple front, probably classical in style, having a pedimented centre facing down St. Albans Street and twin pediments at each end. Although this cannot be accepted as definite evidence of the building’s appearance, it is likely to be a more reliable representation than that the above mentioned schematic representation shown in John Ogilby and William Morgan’s survey (map) of London and Westminster of 1681/2. This representation of the market house shows it as a Jacobean building of two stories, with three entrances separated by projecting turrets which rise against a high hipped roof.

Notes:

1)      A christening record, dated 16th August 1643, exists for Richard, the son of Richard Athy in the parish registers of St. Mary Magdalene in Milk Street, London.

2)      A christening record, dated February 1665, exists for an Anne Athey from the London parish of St. Mary le Bow. Anne’s father was recorded as Richard Athey.

3)      John Athy has been attributed (9) as the issuer of two separate farthing tokens from the King’s Head Tavern in Leadenhall Street. His family is recorded in the parish registers of St. Peter’s Church, Cornhill between 1642 and 1665 (10). The apprentice records of the Worshipful Company of London Haberdashers records him being bound to a Peter Hunt in 1633 by his farther, Simon Athy of Little Billing, Northamptonshire. Assuming he entered his apprenticeship at the usual age of 12 this would put John’s approximate year of birth as 1620/1 (11). For the very short period between 11th to 23rd Jul 1667, John was the Alderman of the Vintry Ward of London. He was discharged from this position “in consideration of his late great losses and many children, and other evident causes disabling him to the charge and execution of the office” (11). John died c.1693/4 and according to the provisions of his Will was buried with his first wife, Jane, in whose name his farthing tokens of c.1655-60 were issued.

References:

1)      Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to about the Mid Nineteenth Century. (London, 1972).

2)      Webb, C. – London Livery Company Apprenticeship Registers. Volume 43. Vintners’ Company 1609-1800. (2006).

3)      Chester, J.L. – Allegations for marriage licenses issued from the Faculty Office of the Archbishop of Canterbury at London, 1543 to 1869. Church of England. Province of Canterbury. Faculty Office of the Archbishop of Canterbury at London. Harleian Society (London, 1886).

4)      PROB 11/441/102 – Will of Richard Athy, Lieutenant aboard their Majesty’s Ship Advice (6th November 1697), National Archives, London.

5)      Lavery, B. – The Ship of the Line – Volume 1: The development of the battlefleet 1650-1850. (2003).

6)      Sheppard, F.H.W. – Survey of London: Volumes 29 and 30: St James Westminster. Part 1 (1960).

7)      Wheatley, B & Cunningham, P. – London Past and Present: It’s History. Associations and Traditions. (2011).

8)      Strype, J. – A Survey of the Cities of London and Westminster. Volume II, Book VI (London, 1720).

9)      Rogers, K. – “On Some Seventeenth Century London Tokens”. Numismatic Chronicle, 5th Series. Volume VIII. (1928).

10)  Boyd, P. – Inhabitants of London. A genealogical Index held by the Society of Genealogists, London.

11)  Woodhead, J.R. – The Rulers of London 1660-1689: A biographical record of the Aldermen and Common Councilment of the City of London (1966).

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Filed under Tokens from West of the City Walls

At the sign of the Old Man’s Head in St. James Market Place, Westminster

A farthing token issued by a tradesman operating at or by the sign of the "Old Man's Head" in St. James Market, Westminster

A farthing token issued by a tradesman operating at or by the sign of the “Old Man’s Head” in St. James Market, Westminster.

The above brass farthing token measures 15.9 mm and weighs 1.80 grams. It was issued by a tradesman whose premises were at or close by the trade sign of the “Old Man” in St. James Market Place, Westminster. The design of the token may be formally described as follows;

Obverse: (mullet) AT. THE. OLD. MAN. IN, around the left facing bust of a man with a receding hair line, moustache and beard.

Reverse: (mullet) WESTMIN. MARKET. PLA , around twisted wire inner circle, within a triad of initials comprising W | .F. | .I

While this particular token is undated, on stylistic grounds its appearance is suggestive of one from the 1650s. However, on the grounds that its issuing location (i.e. Westminster or St. James Market Place) was not officially established until 1663 a more probable date for the token’s striking would be the mid-1660s.

The triad of initials on the reverse of the token are those of its issuers, a Mr. “W.F.” and his wife Mrs. “J.F.”. As yet these individuals have not been identified. Unfortunately they do not match those of any of the local inhabitants listed in the 1666 Hearth Tax returns for this part of Westminster.

St. James Market, Westminster (c.1720).

St. James Market, Westminster (c.1720).

In the 1650s the open space west of the Haymarket and north of Pall Mall, known as St. James’ Fields was considered ripe for development but hitherto this had been forbidden by the Crown. In March 1661/2 the Earl of St. Albans was granted a lease of much of this area by the Queen Mother. Development of the area was given further impetus in July 1662 when a meeting of commissioners for reforming the streets and buildings of London ordered the “paving of the way from St. James’, north, which was a quagmire, and also the Haymarket about Piqudillo”. A further Act of that same year also made provision for the paving of Pall Mall, the Haymarket and St. James’ Street. By 1663 the development of St. James’s Fields by the Earl had begun. As part of this development he established a market to serve the growing number of people who had come to live in the new buildings in the vicinity (1). This is the Westminster (or St. James) Market Place referred to as being the issuing location of the above token.

A view of Westminster by the Dutch engraver Jan Kip (c.1722).

A view of Westminster by the Dutch engraver Jan Kip (c.1722).

The Earl’s new market is first mentioned in a building lease of July 1663. The Westminster rate books confirm that it had been laid out and houses built around it before the end of the year. Building in Market Lane and St. Albans Street soon followed. The market itself was proclaimed on 27th September 1664 and facilitated the sale of all sort of provisions every Monday, Wednesday and Saturday. By 1665 the new market place had its own purpose built market house and had also been made the new venue for the ancient St. James’ Fair (1).

“Whereas St. James Fair has been formerly kept in the Road near the House of St. James; be it known, that hereafter it is to be kept in St. James’ Marketplace to begin the 25th of July 1665, and to continue for 15 days at least in the Place aforesaid: A special care being taken for a better Regulation of the People thereabouts then has been formally.”

This annual fair had been held in the vicinity of St. James’ Fields since 1290. By the mid-17th century it had gained the reputation of being a boisterous and at times rowdy event. There is no record of how long the fair continued to be held in its new location.

On 1st April 1666 Samuel Pepys, the celebrated diarist and naval administrator recorded visiting the new market;

“So all up and down my Lord St. Albans his new building and market-house, and the taverne under the market-house, looking to and again into every place of building, and so away and took coach and home…”

Pepys mentions the market a second time in his diary in his entry for 11th April 1669.

“My wife and I out by coach, and Balty with us, to Loton, the landscape-drawer, a Dutchman, living in St. James’s Market, but there saw no good pictures. But by accident he did direct us to a painter that was then in the house with him, a Dutchman, newly come over, one Evarelst, who took us to his lodging close by, and did shew us a little flower-pot of his doing, the finest thing that ever, I think, I saw in my life; the drops of dew hanging on the leaves, so as I was forced, again and again, to put my finger to it, to feel whether my eyes were deceived or no. He do ask £70. for it: I had the vanity to bid him £20.; but a better picture I never saw in my whole life; and it is worth going twenty miles to see it.”

The Dutch artists being referred to above can be identified as Jan Looten (1618 to 1681) and Simon Verelst (2).

In 1720 John Strype (3) describes St. James Market as follows;

“St. James’s Market, a large place, with a commodious Market-house in the midst, filled with butchers shambles; besides the stalls in the Market Place, for country butchers, higglers, and the like; being a market now grown to great account, and much resorted unto, as being well served with good provisions. On the south-west corner is the paved alley, a good through-fare into Charles Street, and so into St. James’s Square, and those parts; but is of no great account for buildings or inhabitants. On each side, or square, of this market is a Row of houses, inhabited by such as have a dependence on the market, kept twice a week, but that on Saturdays is the most considerable.”

Parts of St. James Market house were occasionally used for purposes unconnected with trade. Richard Baxter, the Presbyterian preacher, held a number of meetings in rooms above Market-house and on one such occasion, in 1674, the size of his congregation was so great that the central supportive beam which supported the market’s upper story split and had to undergo emergency repairs before the upper rooms of the market could be re-opened (2).

The Market House in St. James Market Westminster from Strype's Map of 1720 and Jan Kip's engraving of Westminster of c.1722.

The Market House in St. James Market Westminster from Strype’s Map of 1720 and Jan Kip’s engraving of Westminster of c.1722.

I have been unable to find any contemporary images of St. James Market other than for the long distant partial view plus the schematic representation illustrated above. The first of these is Johannes Kip’s early 18th century print entitled “A Prospect of the City of London Westminster and St James’s Park”. In this the partial view of the Market shows a large building with a simple front, probably classical in style, having a pedimented centre facing down St. Albans Street and twin pediments at each end. Although this cannot be accepted as definite evidence of the building’s appearance, it is likely to be a more reliable representation than that the above mentioned schematic representation shown in John Ogilby and William Morgan’s survey (map) of London and Westminster of 1681/2. This representation of the market house shows it as a Jacobean building of two stories, with three entrances separated by projecting turrets which rise against a high hipped roof.

It is not apparent from the information presented on the above farthing token what particular trade its issuer (Mr. W.F.) was engaged in. However, it is clear from the information on presented on the token’s obverse that he traded at or close by to the sign of “Old Man” or “Old Man’s Head”. The suspension of distinctive trade signs above the entrances to trade premises in a particular street acted as an early form of address prior to formal building numbering in the mid-18th century. Certain very popular and early established trade signs, particularly those used by taverns (i.e. the Red Lion, Bell or Mermaid etc.), were by the mid-17th century common throughout London and the rest of the country. Others however were more obscure and transient in their use. The trade sign of the “Old Man” is one such example.

Bryant Lillywhite’s extensive survey of ancient London trade signs has recorded thousands of different examples by date and location which were variously adopted by the practitioners of different trades around the metropolis (4). Most such signs are know from a multitude of  examples from across the city. However, only a single example of the sign of the “Old Man” was recorded in his survey. A further review of the occurrence of this trade sign is possible from an examination of its depiction on tokens within the city’s mid-17th century paranumismatic record (5)(6)(7). Such an evaluation confirms the example identified by Lillywhite plus identifies a further example. These are listed below;

·         Westminster (i.e. St. James) Market Place – Mr. W.F. & Mrs. J. F. at the sign of the Old Man or Old Man’s Head (as per above brass, farthing).

·         Holborn, Chancery Lane – Mr. D.P. & Mrs. E. P. at the sign of the Old Parr’s Head (from a brass, half penny).

It is likely that both the above tokens depict trade signs having a common origin. The second of the two examples listed clearly identifies the derivation of this sign, namely “Old Parr”. Even today the sign of “Old Parr’s Head” can still be found above several public houses within the London area.

The sign board hanging above the entrance to the Old Parr's Head Public House in Islington.

The sign board hanging above the entrance to the Old Parr’s Head Public House in Islington.

Old Parr was the name given to one Thomas Parr who reputedly lived to the record age of 152! This remarkable character first came to public notice in 1635, when the poet John Taylor published a lively account of his life in a pamphlet entitled “The Old, Old, Very Old Man”.

Parr was reportedly born in 1483 at Alberbury near Shrewsbury in Shropshire. At the age of 80 Thomas married Jane Taylor. The couple had a son and a daughter both of whom died in infancy. At the age of 105 Parr did penance for committing adultery with Katherine Milton. After 32 years of marriage Jane Parr died. A decade later, at the ripe old age of 122, Thomas married his second wife, Jane, widow of Anthony Adda, of Guilsfield in Montgomeryshire.

By 1635 Thomas Parr was blind and had one tooth, his beard was neat, his hearing and digestion were good and he slept well. In that year, whilst visiting his Shropshire estates, the 21st Earl of Arundel learned of Thomas. He paid for the old man to be brought to London where he was put on show. He had his portrait etched by Dutch artist Cornelius van Dalen and was presented to King Charles I.

Contemporary images of Thomas Parr by Cornelius van Dalen (left) and Peter Paul Rubens (right).

Contemporary images of Thomas Parr by Cornelius van Dalen (left) and Peter Paul Rubens (right).

In November 1635, six weeks after his arrival in London, Thomas Parr died suddenly. The Royal physician, William Harvey, conducted an autopsy on the old man’s body. Uncritically accepting that Parr had been 152 years of age, Harvey noted that his reproductive organs were in a healthy state, this being consistent with the story of his adultery and with his second wife’s report that he had regular sexual intercourse with her until about twelve years previously. Harvey attributed Parr’s death in part to his sudden exposure to rich food and strong drink after a lifetime’s diet of cheese, buttermilk, and coarse bread. The main cause of death in his opinion was due to the adverse effects of London’s polluted atmosphere upon someone accustomed to the clean country air of Shropshire.

Thomas Parr's tomb and memorial in Westminster Abbey.

Thomas Parr’s tomb and memorial in Westminster Abbey.

By arrangement of King Charles I, Thomas Parr was buried in Westminster Abbey on 15 November 1635.

References:

1)      Sheppard, F.H.W. – Survey of London: Volumes 29 and 30: St James Westminster. Part 1 (1960).

2)      Wheatley, B & Cunningham, P. – London Past and Present: Its History. Associations and Traditions. (2011).

3)      Strype, J. – A Survey of the Cities of London and Westminster. Volume II, Book VI (London, 1720).

4)      Lillywhite, B. – London Signs: A Reference Book of London Signs from Earliest Times to about the Mid Nineteenth Century. (London, 1972).

5)      Thompson, R.H. & Dickinson, M.J. – Sylloge of Coins of the British Isles – Volume 59 (The Norweb Collection) – Tokens of the British Isles 1575 – 1750. Part VII – City of London. (London, 2007).

6)      Thompson, R.H. & Dickinson, M.J. – Sylloge of Coins of the British Isles – Volume 62 (The Norweb Collection) – Tokens of the British Isles 1575 – 1750. Part VIII – Middlesex and Uncertain Pieces. (London, 2011).

7)      Williamson. G.C. – Trade Tokens Issued in the Seventeenth Century in England, Wales and Ireland by Corporations, Merchants, Tradesmen, Etc. – A New and Revised Edition of William Boyne’s Work. – Volume 2. (London, 1967).

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The Bell Tavern in King Street, Westminster

A farthing token of the Bell Tavern, King Street, Westminster

A farthing token of the Bell Tavern, King Street, Westminster

The above brass farthing token measures 15.9 mm and weighs 0.89 grams. It was issued in the name of The Bell Tavern which was once located in King Street in St. Margaret’s Parish, Westminster. The design of the token may be formally described as follows;

Obverse: (mullet) THE. BELL. TAVERN. IN, around twisted wire inner circle, depiction of a bell within.

Reverse: (mullet) KINGS. STREET. WESTMINS, around twisted wire inner circle, within a triad of initials comprising C | .D. | .M

While this particular token is undated on stylistic grounds its issue date can be attributed to the 1650s.

The triad of initials on the reverse of the token are those of its issuers, a Mr. “C.D.” and his wife Mrs. “M.D.”. As yet these individuals have not been identified but it is likely that Mr. C.D. kept the tavern at some period between 1641 and 1655. The later part of this period fits with the stylistic dating of the token. It is reported (1) that a William Austen kept the Bell in 1641 while between 1655 and 1664 the tavern was kept by the London vintner Samuel Walker and afterwards by his widow (2). A review of the 1664 Hearth Tax returns for King Street in Westminster confirms that Samuel Walker was paying tax on a property with 20 hearths in the southern end of the street.

King Street was a narrow but very busy thoroughfare which once linked the southern side of Whitehall Palace with Westminster Abbey. Today its original course is largely marked by that of Parliament Street.

King Street, Westminster (c.1720) - From right to left - Downing Street (Red); Axe Yard (Blue); Bell Yard (Purple) & Bell Alley (Green).

King Street, Westminster (c.1720) – From right to left – Downing Street (Red); Axe Yard (Blue); Bell Yard (Purple) & Bell Alley (Green).

At the north end of King Street, the corner of what is now Downing Street and what was then the southern side of Whitehall Palace, stood a gate called the King’s or Cock-pit Gate. It had four domed towers; on the south side were pilasters and an entablature enriched with the double rose, the portcullis, and the royal arms.

King's Gate at the north end of King Street and southern entrance to Whitehall Palace. Demolished in 1723.

King’s Gate at the north end of King Street and southern entrance to Whitehall Palace. Demolished in 1723.

At the south end of King Street at the entrance to Palace Yard stood a second gate known as High Gate the construction of which commenced under King Richard II in 1384. These gates were demolished in 1723 and 1706 respectively (3).

There were innumerable courts, alleys and lanes leading off King Street. On the west, south of Downing Street, were Axe Yard, Charles Street, Gardiners Lane, Sea Alley, Bell Yard, George Yard, Blue Boar Court, Antelope Alley and Bell Alley. The street was the home for many of the principal taverns of Westminster which included the Blue Boar’s Head, the Swan, the George, the Angel, the Antelope, the Black Dog, the Old Rhenish Wine House, the Sun, the Trumpet and the Bell. Amongst the notable inhabitants of the area in the 17th century were;

  • Oliver Cromwell and his mother who allegedly lived in a house close to the Blue Boar tavern.
  • Erasmus Dryden, Member of Parliament for Banbury and grandfather of the famous poet John Dryden, lived in a house just north of the Sun tavern.
  • Samuel Pepys, the famous diarist and Naval Administrator, who lived in Axe Yard off the north-west side of the street before moving to Seething Lane.
  • Wenceslaus Hollar, the notable Bohemian artist and engraver, who died in poverty in a rented house off King Street in Gardiners Lane.

Although narrow, King Street was wide enough to accommodate all the pageantry of state coronations, funerals and other such pageants that passed through it. The street was reportedly picturesque (4);

“The houses rose up three and four stories high; gabled all, with projecting fronts, story above story, the timbers of the fronts painted and gilt, some of them with escutcheons hung in front, the richly blazoned arms brightening the narrow way.”

However it was reportedly also dirty (4);

“The roadway was rough and full of holes; a filthy stream ran down the middle, all kinds of refuse were lying about.”

King Charles I travelled down King Street on the way from Whitehall Palace to his trial at Westminster. He went back by the same route as a condemned man. In 1658 Oliver Cromwell’s funeral procession followed the same route. Cromwell himself narrowly escaped assassination in the street, where he had a house north of Boar’s Head Yard. While travelling along the narrow and crowded street in his state carriage he became separated from his guard. As the carriage passed a cobbler stall in the street Cromwell’s companion in the coach, Lord Broghill, saw a door in the premises open and shut, while something glittered behind it. Broghill immediately dismounted from the carriage and hammered at the cobbler’s door with his scabbard, when a tall man, armed with a sword, rushed out and made his escape into the crowd.

The Blue Boar's Head in King Street - A mid 19th century view of the inn post its re-building in the mid 18th century.

The Blue Boar’s Head in King Street – A mid 19th century view of the inn post its re-building in the mid 18th century.

Even in the mid-17th century the Bell tavern was regarded as an ancient establishment. The first known mention of the tavern occurs in 1465. Approximately 50 years later it is referred to as follows (5);

“A tenement called the Bell with a medowe and all the tenementes perteynyng to the same sett in the Kynges strete of Westminster.”

Not surprisingly the Bell Tavern was one of half a dozen taverns in King Street that was regularly visited and mentioned by Samuel Pepys’ in his diary. This particular tavern gets five mentions in the diary between March 1660 and February 1666/7 and was the location of one of his many extra marital liaisons on at least one occasion.

Shrove Tuesday 6th March 1660 – “So I went to the Bell, where were Mr. Eglin, Veezy, Vincent a butcher, one more, and Mr. Tanner, with whom I played upon a viall, and he a viallin, after dinner, and were very merry, with a special good dinner, a leg of veal and bacon, two capons and sausages and fritters, with abundance of wine. After that I went home…”

Monday 2nd July 1660 – “Met with purser Washington, with whom and a lady, a friend of his, I dined at the Bell Tavern in King Street, but the rogue had no more manners than to invite me and to let me pay my club.”

Saturday 9 January 1663/64 –After dinner by coach I carried my wife and Jane to Westminster, leaving her at Mr. Hunt’s, and I to Westminster Hall, and there visited Mrs. Lane, and by appointment went out and met her at the Trumpet, Mrs. Hare’s, but the room being damp we went to the Bell tavern, and there I had her company, but could not do as I used to do (yet nothing but what was honest) …”

Friday 14 December 1666 – “So I to Westminster Hall, and there met my good friend Mr. Evelyn, and walked with him a good while, lamenting our condition for want of good council, and the King’s minding of his business and servants. I out to the Bell Taverne, and thither comes Doll to me…”

Friday 1 February 1666/67 – “Thence by water to Billingsgate; thence to the Old Swan, and there took boat, it being now night, to Westminster Hall, there to the Hall, and find Doll Lane, and ‘con elle’ I went to the Bell Taverne, and ‘ibi je’ did do what I would ‘con elle’ as well as I could, she ‘sedendo sobre’ thus far and making some little resistance. But all with much content, and ‘je tenai’ much pleasure ‘cum ista’. There parted, and I by coach home.”

Based on the place-name evidence apparent on the earlier illustrated plan of King Street (c.1720) at first glance there appear to be two possible locations for the Bell tavern. These being;

1)      At the eastern entrance to Bell Yard at the northern end of King Street.

2)      At the eastern entrance to Bell Alley at the southern end of King Street.

Thanks to the survival of a late 17th century hand bill advertising the sale of several paintings at in Westminster during mid-October 1691 the precise location of the Bell tavern becomes very apparent;

“At the Bell-Tavern over against the Gate-House in Kings-Street Westminster. Will be exposed to sale a curious collection of paintings; being most originals, by the best masters of Europe, on Tuesday, Wednesday, Thursday and Friday, the 13th 14th 15th and 16th of this instant October, 1691 Beginning exactly at four of the clock in the afternoon, and so will continue till all be sold.”

The hand bill clearly places the tavern at the head of Bell Alley at the southern end of King Street adjacent to “the Gate-House”. It is most probable that the gate house being referred to is that linking King Street with the western corner of New Palace Yard.

The southern end of King Street (c.1720) showing possible locations of the Bell tavern at the head of Bell Alley (marked in green).

The southern end of King Street (c.1720) showing possible locations of the Bell tavern at the head of Bell Alley (marked in green).

This gate house can be clearly seen behind the ornamental fountain in the upper right hand side of a contemporary view of New Palace Yard as viewed from Westminster Stairs.

New Palace Yard 1647 by Wenceslaus Hollar - The Gate House in the north-west corner is that which is described as being adjacent to the Bell tavern in 1691.

New Palace Yard 1647 by Wenceslaus Hollar – The Gate House in the north-west corner is that which is described as being adjacent to the Bell tavern in 1691.

During the reign of Queen Anne (1702 to 1714) the Bell tavern was the headquarters of the October Club, a boisterous fellowship of Tory parliamentarians who took their name from the strong winter ale they reportedly drank at their meetings.

In “A Journal to Stella”, Jonathan Swift makes an indirect reference to one of the October Club’s meetings at the Bell tavern (6);

10th February, 1710/11 –We are plagued here with an October Club that is a set of above a hundred Parliament men of the country, who drink October beer at home and meet every evening at a tavern near Parliament, to consult affairs, and drive things on to extremes against the Whigs, to call the old ministry to account, and get off five or six heads.”

A few months later when Swift happened to be eating at the Bell tavern some prominent Octoberists invited him to join them at their dinner. But, he reported;

“I sent my excuses, adorned with about thirty compliments, and got off as fast as I could. It would have been a most improper thing for me to dine there, considering my friendship with the Ministry. The Club is about a hundred and fifty, and near eighty of them were then going to dinner at two long tables in a great ground-room.”

During the first quarter of the 18th century the Bell tavern was also the meeting place of a Freemason’s Lodge. By 1751 it appears that the tavern had been re-named as the Crown tavern (7).

References:

1)      Berry, G. – Tavern Tokens of Pepy’s London. (London, 1978).

2)      Latham, R.C. – The Diary of Samuel Pepys. Volume 10 – Companion. (London, 1995).

3)      Brayley, E.W. & Britton, J. – The History of the Ancient Palace and late Houses of Parliament at Westminster. (London. 1836).

4)      Besant, Sir W. & Mitton, G.E. – The Fascination of London: Westminster. (London 1902).

5)      Cox, M.H. – Survey of London: Volume 10: St. Margaret, Westminster, part I: Queen Anne’s Gate Area. (London, 1926).

6)      Rogers, P. – October Club (act. 1711–1714). Oxford Dictionary of National Biography. (Oxford University Press, 2013).

7)      Whatley, S. – England’s Gazetteer: Or, An Accurate Description of All the Cities, Towns, and Villages of the Kingdom. Volume 2. (London 1751).

 

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Filed under Tokens from Pepys' London, Tokens from West of the City Walls

Thomas Springall of the Castle Tavern in St. Clement’s Churchyard.

A half penny token of Thomas Springall of the Castle Tavern, behind St. Clement Danes Church, Westminster

A half penny token of Thomas Springall of the Castle Tavern, behind St. Clement Danes Church, Westminster

The above copper half penny token measures 19.2 mm and weighs 1.27 grams. It was issued by Thomas Springall a vintner who operated from premises behind St. Clement Danes church in the Savoy Ward of the Westminster.

The design of the token may be formally described as follows;

Obverse: (mullet) THOS. SPRINGALL . AT. THE , around a beaded circle, within the depiction of a castle comprising gateway with portcullis supported by two towers with conical caps and a similar central tower behind.

Reverse: (mullet) BEHIND . ST. CLEMENTS, around a beaded circle, within the legend in three lines HIS / HALFE / PENNY with a mullet above and below.

The token is undated but on stylistic grounds probably dates from the mid to second half of the 1660s.

Based on the obverse design of Thomas Springall’s token it is almost certain that he was the proprietor of the Castle Tavern. A tavern of this name is known to have been located in the vicinity of St. Clement Danes based on earlier numismatic evidence. A total of three separate farthings plus a half penny token, all evidently commissioned by the same landlord, were issued in the name of the Castle Tavern between c.1655 to c.1663 (Note 1). These earlier tokens variously state the location of the Castle Tavern as either “Behind” or in the “Churchyard” of St. Clement Danes. A review of the Hearth Tax returns for 1666 indicates that a Thomas Springall, of the Savoy Ward of Westminster, was paying tax on a property with 17 hearths. This would be typical of a good-sized London tavern of the period. Thomas was paying tax on the second highest number of hearths listed for any single person in the Ward except for a handful of well to do inhabitants who were obviously living in very palatial residences. 

Based on the partial addresses given for the Castle Tavern on the various tokens mentioned above, coupled with its obvious substantial size (as indicated by its large number of hearths) it is possible to hazard a guess as to its precise location. A review of John Ogilby and William Morgan’s 1676 map of London indicates one particularly large building located on the “Backside of St. Clements” adjacent to the north-west part of the parish churchyard. It is tempting to associate this building with that of the Castle Tavern.

A map of the Strand and St. Clement Danes showing the possible location of the Castle Tavern

A map of the Strand and St. Clement Danes showing the possible location of the Castle Tavern

Other than for the five separate token issues struck in the name of the Castle very little is known about this particular London tavern. In his diary entry for 21st November 1667 Samuel Pepys, the famous Diarist and Naval Administrator, records the following which may well be a direct reference to the Castle Tavern although he does not mention it by name;

“I out and took coach to Arundell House, where the meeting of Gresham College was broke up; but there meeting Creed, I with him to the taverne in St. Clement’s Churchyard, where was Deane Wilkins, Dr. Whistler, Dr. Floyd, a divine admitted, I perceive, this day, and other brave men.”

Interestingly on four earlier occasions in 1667(Note 2) Pepys visited a tavern in the Savoy Ward of Westminster which he referred to by name as the “Castle”. He also refers to this establishment as being “hard by Exeter House”; “by Exeter House” or “by the Savoy”.

26th Jan 1666/7 – I in my Lord Bruncker’s coach, he carried me to the Savoy, and there we parted. I to the Castle Tavern, where was and did come all our company, Sir W. Batten, [Sir] W. Pen, [Sir] R. Ford, and our Counsel Sir Ellis Layton, Walt Walker, Dr. Budd, Mr. Holder, and several others, and here we had a bad dinner of our preparing, and did discourse something of our business of our prizes, which was the work of the day.”

26th March 1667 – “…to Exeter House, where the judge was sitting, and after several little causes comes on ours, and while the several depositions and papers were at large reading (which they call the preparatory), and being cold by being forced to sit with my hat off close to a window in the Hall, Sir W. Pen and I to the Castle Tavern hard by and got a lobster, and he and I staid and eat it, and drank good wine;

27th March 1667 – “By water to the Castle Taverne, by Exeter House, and there met Sir W. Batten, [Sir] W. Pen, and several others, among the rest Sir Ellis Layton, who do apply himself to discourse with me…”

23th August 1667 –So being all dusty, we put into the Castle tavern, by the Savoy, and there brushed ourselves, and then to White Hall with our fellows to attend the Council, by order upon some proposition of my Lord Anglesey, we were called in.”

It appears odd that the last four diaries entries quoted refers to the Castle Tavern by name and close by the Savoy and Exeter House while the entry later in the year (i.e. 21st November) just refers to a tavern, without name, in St. Clements Churchyard. Are all five entries a reference to the same establishment or were there two Castle taverns in close proximity in the Savoy Ward of Westminster? On first examination such a prospect might seem unlikely. However, by reviewing the evidence preserved in the numismatic record there would appear significant grounds to suggest the existence of two taverns by the name of the Castle in the area.

 A farthing token exists (Note 2) in the name of a John Peek, a cook trading at or by the sign of the Castle “Against Ye Savoy” (Note 3). Thus we have clear evidence of a “Castle” adjacent to the Savoy and Exeter House plus a further one “Behind” or in the “Churchyard” of St. Clement Danes. So it does appear that there was two “Castles Taverns” in relatively close proximity to each other.

Returning now to the subject of the above half penny token’s issuer. Thomas Springall was born on 6th March 1638. He was the youngest of five children (John b.1626, George b.1630, Edmund b.1633, Katherine 1635) born to Edmund and Katherine Springall of Petworth, Sussex. His father is variously described as a yeoman and later a tailor. Thomas was apprenticed by his father to Richard Frewen, vintner of London, on 7th October 1651(1). By becoming an apprentice vintner Thomas was following in his brother Edmund’s footsteps. Edmund, was apprenticed to William Beswick (a London vintner) in 1647. There is no evidence to suggest that Thomas Springall ever took on any apprentices of his own.

It is assumed that Thomas Springall served a standard seven years apprenticeship under Richard Frewen before receiving his freedom (c.1658). Thereafter he presumably started out on his own career as a vintner. It may have been shortly after this time that Thomas took over the running of the Castle Tavern behind St. Clement Danes church.

A search of London parish registers has failed to identify any evidence of Thomas Springall’s marriage or the baptism records of any possible children he may have had. His single status is further backed up by obvious omissions to a spouse or children in his Will (date 5th September 1668)(2) and the fact that his half penny token gives no indication that he was married. It was often the case, particularly on the earlier farthing token struck in the mid-17th century, that if a token issuer was married he would often display both his and his wife’s initials in the form of a triad on the reverse of his token. This practice continued on some of the normally later issued half penny tokens of the 1660s.

Thomas made his sister Katherine’s husband, Francis Snell, the executor of his Will in which he made the following bequests and provisions;

To his widowed mother, Katherine Springall the sum of £6 to be paid in quarterly instalments.

To his brother George the sum of £5.

To Mary Challoner, his maid servant, the sum of 40 shillings.

The provision of 20 shillings to each of the following for the purchase mourning rings (Note 4) ; William Collins, Henry Maurice, Daniel Bell plus his sister Katherine and her husband Francis Snell.

The rest of Thomas’ goods and estate (after the deduction of funeral costs) were to be left to his brother-in-law Francis Snell’s eldest son, who was also named Francis.

It is possible that at the time of preparing his Will that Thomas Springall knew he was dying as a month later on 9th October 1668 his burial is recorded in the parish register of St. Clement Danes. 

Notes:

1)      One of three farthings and a half penny token issued in the names of Mr. J.P. alone or in association with one of his two wives (i.e. Mrs. J.P. and Mrs. A.P.) from the Castle tavern which is variously stated on the tokens to be either “Behind St. Clements”, “In St. Clement Danes” or in “St. Clement Churchyard”.

castle token 2

 2)      The farthing token of John Peek, a cook, who presumably traded from premises at or by the sign of the Castle against the Savoy Hospital, Westminster.

 John Peek

 3)      The reference to the “Savoy” in this instance is to the Savoy Hospital which was a principal waterfront landmark which gave its name to this particular Ward of Westminster. The Savoy Hospital was built by Henry VII on the site of the old Savoy Palace which had been largely destroyed by Watt Tyler’s followers during the Peasant’s Revolt of 1377. The hospital, for the poor and needy, opened in 1512.The grand structure was the most impressive hospital of its time in the country and the first to benefit from permanent medical staff. It closed in 1702 and in the 19th century the old hospital buildings were demolished.

The Savoy Hospital c.1650

The Savoy Hospital c.1650 by Wenceslaus Hollar

The only part of the hospital complex to survive the demolition works of the 19th century was the Savoy Chapel. Originally dedicated to St. John the Baptist the chapel served as home to the congregation of St. Mary-le-Strand. The memory of the Savoy is today retained in the names of the famous Savoy Hotel and the Savoy Theatre along with several other local buildings which now stand on or close to its original site.

4)      The presentation of mourning or funerary memorial rings was common practice in the 17th and 18th centuries particularly amongst the middle and upper classes. Many wealthy people included instructions in their will on how much money was to be set aside for the purchase and inscribing of funerary rings together with instructions as to their design plus a list of those people who were to receive them.

A mid 17th Century Deaths Head Type Funerary Ring from London

A mid 17th Century Deaths Head Type Funerary Ring from London

 In Samuel Pepys’s Will he bequeathed the grand total of 129 mourning rings be given away at his funeral. The grander and number of rings bequeathed by an individual was often an indication of their wealth. The internal shanks of such rings were often inscribed with the name of the deceased as a memorial. The designs of such rings were often “ghoulish” by modern standards and typically included skulls and cross-bones or simply a skull (i.e. the so-called deaths head design).

References:

  1. Webb, C. – London Livery Company Apprenticeship Registers. Volume 43. Vintners’ Company 1609-1800. (2006).
  2. PROB/11/328. National Archives (London).

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A Ticket to Attend The Royal Touching Ceremonies of Charles II

Royal Touching Ceremony Entrance Ticket or Pass dating to the reign of Charles II

Royal Touching Ceremony Entrance Ticket or Pass dating to the reign of Charles II

The object above is an entrance ticket or pass dating from the reign of King Charles II. It measures 29.7 mm and weighs 11.15 grams and is bi-metallic comprising an inner brass core and an outer copper collar.

Unlike the tradesmen’s tokens which are the primary focus of this website the above ticket or pass had no monetary value at the time of its use between the 1660s to 1680s. It was issued by official agents of the Crown to sufferers of scrofula as a form of official entrance ticket or pass to one of Charles II’s royal healing or “touching” ceremonies. These were held in the Banqueting House of the Palace of Whitehall throughout his reign.

The design of the ticket may be formally described as follows;

Obverse: CAR . II . D . G. M . B . FR . ET . HI . REX (six pointed star) around the depiction of a three masted ship sailing left (Note 1).

Reverse: SOLI DEO GLORIA (six pointed star) around the depiction of the angel Michael spearing a recumbent dragon at his feet.

Before considering the method of issue and use of the above types of ticket or pass it is worth explaining further the context of their use and the formal ceremony to which they gave their bearer access.

 The Curative Royal Touch for King’s Evil and the presentation of Touch-Pieces

Historically in Britain scrofula or the “King’s Evil” was a name applied to a variety of skin diseases but in particular a form of tuberculosis, affecting the lymph nodes of the neck and which resulted in bulbous swellings and sores. It has been estimated that in 17th century London 1% of the population were suffers of the disease which effected people of all social classes.

From the reigns of King Edward the Confessor in England (1003 to 1066) and Philip I (1052 to 1108) in France it was believed that a touch from the king could cure diseases given that the monarch had been granted divine powers. Subsequent English and French kings were believed to have inherited this “royal touch”, which was taken as an indication of their god given right to rule. In grand ceremonies, kings touched hundreds of suffers afflicted by scrofula. In later years those attending such healing ceremonies also received a gold coin, typically an Angel, from the monarch which was also believed to be blessed with an extension of the monarch’s healing powers. These presentational coins became known as “touch-pieces” and over time became treated as amulets and were pierced for wearing around the recipient’s neck by a ribbon.

A gold Angel of Henry VIII - First Coinage Issue, 1509-1526

A gold Angel of Henry VIII – First Coinage Issue, 1509-1526

The last Angels to be minted for general circulation were issued in 1642(1) from the Royal Mint which was located in the Tower of London. After this date the mint was seized by Parliament at the start of the Civil War and in whose control it remained until the Restoration of Charles II in 1660.

During the reign of James I the location of the royal touching ceremony was transferred from the Chapel Royal to the Banqueting House within the Palace of Whitehall(2) , Westminster. This continued to be the London venue for the ceremony throughout the reign of Charles I. During the Commonwealth period the practice ceased on British soil although it was continued by Charles II while in exile on the continent. On his restoration in 1660 he was quick to restore the ceremony, presumably as a means of re-affirming his rightful position as monarch through the practice of a divinely given gift (i.e. that of healing by touch).

In September 1660 Thomas Simon, the mint’s then chief engraver, was ordered to prepare sketches and dies for a new series of Angels(1).

Thomas Simon's Sketch for the proposed new Angel coinage of Charles II

Thomas Simon’s Sketch for the proposed new Angel coinage of Charles II

While there was an obvious early intent by Charles II to restore the Angel into common circulation within the Kingdom, and for use as touch-pieces, it never happened. However, in February 1664/5 Charles commissioned a new supply of purpose made gold “touch-pieces” from the mint at the Tower of London(2). The first issue of these new presentational medalets was struck from dies which were almost certainly cut by John Roettiers who was one of the mint’s chief engravers. Over Charles II’s reign six separate sets of dies were commissioned for the on-going striking of touch-pieces. Although the same emblems as used on the old Angels (i.e. St. Michael spearing a fallen dragon plus a ship in full sail) were maintained on the new touch-pieces their designs were different to those of the earlier Angels in that the monarch’s titles were switched to appear on the side depicting the ship, thus making it the obverse whereas on the Angel it had been on the reverse side.

A golden Touch-Piece of Charles II

A golden Touch-Piece of Charles II

During Charles II’s reign the royal touching ceremony became immensely popular. It is estimated that between 1660 and 1684 the king administered the royal touch to no fewer than 105,000 people, all of whom would have received one of the touch-pieces which contained the equivalent of 10 shillings worth of 22 carat gold(2).

During the reign of Charles II the touching ceremonies were held on Fridays between 1st November and 18th December, then during the months of January and for a month over Easter. It was suspended over the warmer months of the year to lessen the risk of spreading infection of any diseases amongst the gathered masses.

The first of Charles II’s touching ceremonies was attended by 600 suffers. However, thereafter the number was reduced to a more manageable 200 per session. While most of those who attended the Whitehall touching ceremony would have been from London and the Home Counties there is evidence that some of those who attended were from much further afield. Records exist of a petition addressed to the local assembly of Portsmouth, New Hampshire (USA) which was presented by a colonial sufferer of scrofula who wanted financial assistance to travel to London to be receive the royal touch(2).

The first touching ceremony performed by Charles II after his restoration was held on Saturday 23rd June 1660. It was recorded by both the diarists Samuel Pepys and John Evelyn. Pepys’ diary entry relating to this event is only very brief(3).

“So to my Lord’s lodgings, where Tom Guy came to me, and there staid to see the King touch people for the King’s evil. But he did not come at all, it rayned so; and the poor people were forced to stand all the morning in the rain in the garden. Afterward he touched them in the Banquetting-house.”

John Evelyn’s account of the event however, is far more detailed despite the fact that it entered erroneously in his diary under the date 6th July(4).

“His Majesty began first to Touch for the Evil according to custome: Thus, his Majestie sitting under his State in the Banqueting house: The Chirurgeons cause the sick to be brought or led up to the throne, who kneeling, the King strokes their faces or cheekes with both his hands at once: at which instant a Chaplaine in his formalitie, says, He put his hand upon them, and he healed them, this is sayd, to everyone in particular: when they have been all touch’d they come up againe in the same order and the Chaperlaine kneeling and Angel gold, strung on white ribbon on his arme, delivers them one by one to his majestie: and Who puts them about the neck of the Touched as the passe: whilest the first Chaperlaine repeates: That is the true light who came into the World: Then followes an Epistle (as at first a Gospell) with the Liturgy prayers for the sick with some alteration: Lastly the blessing; And then the Lo: Chamberlaine and Comptroller of the household bring basin, Ewer and towell for his Majestie to wash:”

(Left) Front piece from John Browne's Adenochoiradelogia (London, 1684) depicting Charless II presiding at a Royal Touching Ceremony at the Banqueting House, Westminster. (Right) The Banqueting House as it appears today.

(Left) Front piece from John Browne’s Adenochoiradelogia (London, 1684) depicting Charles II presiding at a Royal Touching Ceremony at the Banqueting House, Westminster. (Right) The Banqueting House as it appears today.

After Charles II’s death touching ceremonies continued under his brother King James II although it is understood that he was a less keen advocate of the practice as his older brother had been. After the succession of King William III and Queen Mary the ceremony was temporarily stopped until being resumed for a final period (in Britain at least) under the patronage of Queen Anne. She performed the ceremony for the last time on the 30th March 1712 in St. James’s Palace, Westminster.

Amongst the last 300 people that day who receive the royal touch and receive one of the last issued golden touch-pieces was a young boy of nearly three years of age who suffered from poor eyesight believed to be a result of scrofula. The little boy was the son of a book seller from Lichfield in Staffordshire. His family had been recommended to seek the royal touch for their son by Sir John Floyer, a former physician to Charles II. After making the three day journey to London with his parents and attaining an entrance ticket to the ceremony, after first being medically certified as eligible by an appointed doctor, he was admitted to the royal touching ceremony. The ceremony obviously made a marked impression on the young boy’s memory. As a grown man, many years later, he recalled his vague memories of the event and how he had met a lady wearing diamonds and a long black hood(2).While he may not have recalled receiving a golden touch-piece from her he undoubtedly did as he wore it on a ribbon around his neck for the rest of his life. After his death this touch-piece was kept safe and later found its way into the collection of the British Museum where it remains today. While this is not a particularly remarkable story it is made far more interesting once the identity boy is revealed. The boy grew up to become the famed Dr. Samuel Johnson the renowned poet, essayist, moralist, literary critic, biographer, editor and lexicographer.

Dr. Samuel Jouhnson Touch-Piece - Presented to him by Queen Anne 30th March 1712 at the last ever Royal Touching Ceremony held in Britain

Dr. Samuel Johnson Touch-Piece – Presented to him by Queen Anne 30th March 1712 at the last ever Royal Touching Ceremony held in Britain

Royal Touching Ceremony Entrance Tickets

The number of sufferers wishing to attend the royal touching ceremonies throughout the 17th century was considerable. While there was a genuine belief on the part of most attending such ceremonies that they could be healed there was also the allure of 10 shillings worth of gold in the form of the presentational touch-piece they would be given. While sufferers were only meant to attend one touch ceremony in their lifetime the temptation of receiving 10 shillings worth of gold meant that many fraudulently tried and did attend on multiple occasions(5). From the reign of Charles I onwards, in order to control the numbers of people attending each ceremony and to ensure that they didn’t attend on multiple occasions, certain control measures were put in place. The list of control measures were further extended after the restoration of Charles II and by then included the following;

1)      Those wishing to attend the ceremony had to obtain a special certificate or declaration letter from their parish minister and church wardens confirming that they were suffering from the “King’s Evil” and that they had not previously attended a royal touching ceremony.

2)      The day prior to the ceremony those wishing to take part were to attend the Sergeant-Surgeon whose duty it was to confirm them as suffering from the “King’s Evil”.

3)      On the basis that those wishing to receive the royal touch had met the above two requirements they were given an admission ticket to the ceremony in the form of a metal token or ticket. On presenting this ticket to officials at the Banqueting House on the day of the ceremony the bearer was granted admission.

Both Charles I and II employed the use of entrance tickets to their touching ceremonies. None of the entrance tickets used during the reign of Charles I have survived whist those used during the time of his son have. The entrance tickets used under Charles II were almost identical in design to the gold touch-pieces medalets commissioned in 1664/5. However, at 29 mm as opposed to 22 mm, their diameter was slightly larger than the new touch-pieces. Also the tickets incorporated six pointed stars which separated the beginning from the end of their obverse and reverse legends. Like the new touch-pieces, the dies used to strike the admission tickets were probably engraved by John Roettiers of the Royal Mint in the Tower of London. There is no evidence to confirm when in Charles II’s reign the admission tickets were introduced. The similarity of their design to that of his new touch-pieces has led some to the conclusion that the tickets were a copy of touch-pieces and so were introduced shortly after the striking of the first batch of the new medalets. However, given that Charles was conducting touching ceremonies as early as July 1660, presumably using a supply of earlier dynastic Angels, there is no reason that the admission tickets weren’t struck early in his reign and that the design of the new touch-pieces of 1664/5 was based on those of the tickets. As early as July 1660 there is official mention in the Parliamentary Journal of “tickets” being issued to gain access to the touching ceremony(6).

“His Majesty hath for the future, appointed every Friday for the core; at which time, two hundred and no more are to be represented to him, who are first to repair to Mr. Knight, the king’s surgeon, living at the Cross Guns in Russel Street, Covent Garden over against the Rose Tavern, for their tickets. That none might lose their labour, he thought fit to make it known, that he will be at his home every Wednesday and Thursday, from two till six of the clock, to attend that service; and if any persons of quality shall send to him, he will wait upon them at their lodgings, upon notice given to him.”

It is possible that the tickets referred to in the contemporary account above could have been hand written or, less likely, metallic tickets-tokens previously used in the time of Charles I.

After their collection on the day of each touching ceremony the admission tickets were re-issued for use on future occasions.  However, to further reduce the possibility of people gaining fraudulent entry to the ceremonies (possibly via the use of counterfeit tickets) the organising officials randomly alternated between the use of four different varieties of the tickets which, while obviously different in appearance, varied only in as much as the metal flans on which they were struck, i.e. copper, copper with a brass centre (as per the one illustrated at the beginning of this article) brass and brass with a copper centre. The bi-metallic copper & brass tickets are much rarer than the other two types.  It is noted that some surviving examples of these entrance tickets have either one or two notches filed in their upper edges. The notches have been made purposely and in a non-haphazard fashion. It has been suggested that such identifying marks were made as a further method of establishing their validity and to counter-act fraudulent entry to the ceremonies(2).

The continual collection and re-issue of the tickets would help account for their comparative scarcity. Some will have inevitably been lost in the continual process of reuse. Some examples have been clearly pierced for suspension which has given rise to the idea that these examples, at least, were actually used as touch-pieces in place of the usual gold medalets. Alternatively these pierced base metal tickets may just have escaped collection and then been pierced for wearing in the belief that they posed the same healing powers as the gold touch-pieces.

Notes:

1)      The ship on both the touching ceremony entrance tickets and Charles II’s gold touch-pieces can be identified as “The Sovereign of the Seas” which was launched at Woolwich in 1637. At 1,637 tons with 102 guns the ship was the largest afloat at that time. She cost £65,000 to build which was ten times more than any other man-of-war of the time. It is ironic that Charles II should have selected an image of this ship to adorn his touch-pieces as it had contributed so much to his father’s downfall through the unpopular Ship Tax

His Majesty's royal ship the Sovereign of the Seas - a contemporaneous engraving by J. Payne

His Majesty’s royal ship the Sovereign of the Seas – a contemporaneous engraving by J. Payne

The ship was re-named “The Sovereign” in 1651 and then “The Royal Sovereign” in 1685. During her operational life she took part in the battles of Kentish Knock, Beachy Head and La Hogue. The vessel was accidentally destroyed by fire on 27th January 1696 at Chatham. A few days later the diarist John Evelyn wrote in his diary(4), “The R. Sovereign burnt at Chatham, that ship built in 1637 was perhaps the original Cause of all the after trouble to this day” – a judgement written seven years after the “Glorious Revolution”.

References:

  1. Farquhar, H. – Royal Charities. Part II – Touchpieces for the King’s Evil. – British Numismatic Journal. Volume 15. (London, 1919).
  2. Woolf, N. – The Sovereign Remedy: Touch-Pieces and the King’s Evil – British Numismatic Journal. Volume 49. (London, 2011).
  3. Latham, R.C. – The Diary of Samuel Pepys: Volume I – 1660 (Harper Collins, 2010).
  4. De Beer, E.S. – The Diary of John Evelyn. (Everyman Edition. London 2006).
  5. Lysons, Rev. D. – The Environs of London: Being an Historical Account of the Towns, Villages and Hamlets within 12 miles of the Capital. Volume I. County of Surrey. (London. 1792). Page 82, Footnote 40 siting Mercurious Politicus, 21st February 1661.
  6. Lysons, Rev. D. – The Environs of London: Being an Historical Account of the Towns, Villages and Hamlets within 12 miles of the Capital. Volume I. County of Surrey. (London. 1792). Page 82-83, Footnote 41 siting Parliamentary Journal, 2 to 9th July 1661.

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